COLLECTION NAME:
C. Szwedzicki: The North American Indian Works mediaCollectionId univcincin~28~28 C. Szwedzicki: The North American Indian Works Collection true
Record
Work Record ID:
354 work_record_id 354 Work Record ID false
Reproduction Record ID:
354 reproduction_record_id 354 Reproduction Record ID false
Work Class:
depictions work_class depictions Work Class false
Work Type:
print work_type print Work Type false
Title:
North American Indian Costumes: (1564-1950) title North American Indian Costumes: (1564-1950) Title false
Title Type:
collective title title_type collective title Title Type false
Title:
PONCA 1910 title PONCA 1910 Title false
Title Type:
constructed title title_type constructed title Title Type false
Measurements:
11.30 x 4.90 in (28.70 x 12.45 cm) on sheet 17.55 x 12.50 in (44.58 x 31.75 cm) measurements 11.30 x 4.90 in (28.70 x 12.45 cm) on sheet 17.55 x 12.50 in (44.58 x 31.75 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
paper (fiber product) material paper (fiber product) Material false
Material Type:
support material_type support Material Type false
Inscription:
Below Image Right: PONCA 1910 inscription Below Image Right: PONCA 1910 Inscription false
Inscription:
Above Image Right: PLATE 40 inscription Above Image Right: PLATE 40 Inscription false
Creator:
Howe, Oscar, 1915-1983 creator Howe, Oscar, 1915-1983 Creator false
Creator Dates:
1915-1983 creator_dates 1915-1983 Creator Dates false
Creator Nationality:
Nakota (Yankton) // Apache (Inde) creator_nationality Nakota (Yankton) // Apache (Inde) Creator Nationality false
Creator Name Variant:
Trader Boy (Mazuha Hokshina) creator_name_variant Trader Boy (Mazuha Hokshina) Creator Name Variant false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
illustrator creator_role illustrator Creator Role false
Date:
1952 date 1952 Date false
Repository:
Art & Music Department, Public Library of Cincinnati & Hamilton County, Cincinnati, Ohio repository Art & Music Department, Public Library of Cincinnati & Hamilton County, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
40 id_number 40 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
R391 ffJ17 Vol. 2 id_number R391 ffJ17 Vol. 2 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
Style Period:
Plains Indian style_period Plains Indian Style Period false
Style Period:
Indian art--North America style_period Indian art--North America Style Period false
Culture:
Native American culture Native American Culture false
Culture:
Nakota (Yankton) culture Nakota (Yankton) Culture false
Culture:
Ponca culture Ponca Culture false
Subject:
Belts (Clothing) subject Belts (Clothing) Subject false
Subject:
Garters subject Garters Subject false
Subject:
Moccasins subject Moccasins Subject false
Subject:
Bells subject Bells Subject false
Subject:
Shirts, Men's subject Shirts, Men's Subject false
Subject:
Blankets subject Blankets Subject false
Subject:
Bandoliers subject Bandoliers Subject false
Subject:
Scarves subject Scarves Subject false
Subject:
Trousers subject Trousers Subject false
Subject:
Metalwork subject Metalwork Subject false
Subject:
Hats subject Hats Subject false
Subject:
Fans subject Fans Subject false
Related Work:
Jacobson, Oscar Brousse, 1882-1966. North American Indian Costumes: (1564-1950) / Illustrations by Oscar Howe. Nice (France): C. Szwedzicki, 1952. related_work Jacobson, Oscar Brousse, 1882-1966. North American Indian Costumes: (1564-1950) / Illustrations by Oscar Howe. Nice (France): C. Szwedzicki, 1952. Related Work false
Description:
From: North American Indian Costumes, Vol. 2, pp. 8-9: The Poncas are a Siouan people, closely related to the Omahas and Osages. The early history of the tribe is identical with that of the Omahas. Following the migration of the combined tribes to the mouth of the Osage River, the Poncas finally reached the Pipestone quarry in Minnesota. They lived in earth lodges in permanent villages. They cultivated the soil and hunted the buffalo and other animals. Whenever game became scarce, they moved to another location and built new villages. At the Big Sioux River, they erected a fort as protection against the Dakotas, but were defeated and retreated to the Black Hills. When Lewis and Clark encountered them, in 1804 they had been much weakened by smallpox, and probably numbered no more than 200. They recuperated rapidly, reaching about 800 in 1842. Up to this time, the Poncas and the Sioux had been on friendly terms but a dispute arose. The raids of the Sioux became annual events until the Poncas had lost a third of their people before they were forcibly removed to Indian Territory in 1877. The two bands of the Poncas, in Nebraska and Oklahoma, numbered about 930 in 1930. Plate 40 represents a Ponca wearing a costume made up of various elements, Indian and White. Most of the western Indians, including the Navajos, became very fond of the wide brimmed "ten-gallon" hat of the west, and wore it in a manner different from that of the Whites. They did not crease the crown, but wore it in full and lofty splendor. Instead of buckskins, they wore highly colored cotton shirts and trousers, both of which they improved with Indian trimmings, garters with sleigh bells, for instance. The hard shoes of the Whites cramped the small feet of the Indians; consequently moccasins were worn longer than other parts of the original costume. Bright silk kerchiefs were popular and much worn, either tied or fastened with a ring or braided holder. Long hair can still be seen among the older men, though it has been abandoned by the younger generation. In the tribal dances, wigs are often worn today. description From: North American Indian Costumes, Vol. 2, pp. 8-9: The Poncas are a Siouan people, closely related to the Omahas and Osages. The early history of the tribe is identical with that of the Omahas. Following the migration of the combined tribes to the mouth of the Osage River, the Poncas finally reached the Pipestone quarry in Minnesota. They lived in earth lodges in permanent villages. They cultivated the soil and hunted the buffalo and other animals. Whenever game became scarce, they moved to another location and built new villages. At the Big Sioux River, they erected a fort as protection against the Dakotas, but were defeated and retreated to the Black Hills. When Lewis and Clark encountered them, in 1804 they had been much weakened by smallpox, and probably numbered no more than 200. They recuperated rapidly, reaching about 800 in 1842. Up to this time, the Poncas and the Sioux had been on friendly terms but a dispute arose. The raids of the Sioux became annual events until the Poncas had lost a third of their people before they were forcibly removed to Indian Territory in 1877. The two bands of the Poncas, in Nebraska and Oklahoma, numbered about 930 in 1930. Plate 40 represents a Ponca wearing a costume made up of various elements, Indian and White. Most of the western Indians, including the Navajos, became very fond of the wide brimmed "ten-gallon" hat of the west, and wore it in a manner different from that of the Whites. They did not crease the crown, but wore it in full and lofty splendor. Instead of buckskins, they wore highly colored cotton shirts and trousers, both of which they improved with Indian trimmings, garters with sleigh bells, for instance. The hard shoes of the Whites cramped the small feet of the Indians; consequently moccasins were worn longer than other parts of the original costume. Bright silk kerchiefs were popular and much worn, either tied or fastened with a ring or braided holder. Long hair can still be seen among the older men, though it has been abandoned by the younger generation. In the tribal dances, wigs are often worn today. Description false
Reproduction Rights Statement:
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje… reproduction_rights_statement These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/. Reproduction Rights Statement false

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PONCA 1910