COLLECTION NAME:
|
C. Szwedzicki: The North American Indian Works
mediaCollectionId
univcincin~28~28
C. Szwedzicki: The North American Indian Works
Collection
true
|
|
Work Record ID:
|
298
work_record_id
298
Work Record ID
false
|
Reproduction Record ID:
|
298
reproduction_record_id
298
Reproduction Record ID
false
|
Work Class:
|
depictions
work_class
depictions
Work Class
false
|
Work Type:
|
print
work_type
print
Work Type
false
|
Title:
|
Les peintres indiens d'Amérique
title
Les peintres indiens d'Amérique
Title
false
|
Title Type:
|
collective title
title_type
collective title
Title Type
false
|
Title:
|
American Indian painters
title
American Indian painters
Title
false
|
Title Type:
|
alternate
title_type
alternate
Title Type
false
|
Title:
|
Tesuque Buffalo Dance
title
Tesuque Buffalo Dance
Title
false
|
Title Type:
|
constructed title
title_type
constructed title
Title Type
false
|
Measurements:
|
8.25 x 14.55 in (20.96 x 36.96 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
measurements
8.25 x 14.55 in (20.96 x 36.96 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
|
paper (fiber product)
material
paper (fiber product)
Material
false
|
Material Type:
|
support
material_type
support
Material Type
false
|
Inscription:
|
Below Image Right: Thomas Vigil / Tesuque
inscription
Below Image Right: Thomas Vigil / Tesuque
Inscription
false
|
Inscription:
|
Above Image Right: PLANCHE 62 [Plate Number]
inscription
Above Image Right: PLANCHE 62 [Plate Number]
Inscription
false
|
Creator:
|
Vigil, Thomas, 1889-1960
creator
Vigil, Thomas, 1889-1960
Creator
false
|
Creator Dates:
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1889-1960
creator_dates
1889-1960
Creator Dates
false
|
Creator Nationality:
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Tesuque
creator_nationality
Tesuque
Creator Nationality
false
|
Creator Name Variant:
|
Summer Mountain (Pu-yo Pin)
creator_name_variant
Summer Mountain (Pu-yo Pin)
Creator Name Variant
false
|
Creator Type:
|
personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
|
painter
creator_role
painter
Creator Role
false
|
Date:
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1950
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Location:
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Tesuque Pueblo (N.M.)
location
Tesuque Pueblo (N.M.)
Location
false
|
Repository:
|
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
|
current repository
repository_type
current repository
Repository Type
false
|
ID Number:
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ARB RB Oversize E98.A7 J18 1950 Vol. 2
id_number
ARB RB Oversize E98.A7 J18 1950 Vol. 2
ID Number
false
|
ID Number Type:
|
call number
id_number_type
call number
ID Number Type
false
|
ID Number:
|
62
id_number
62
ID Number
false
|
ID Number Type:
|
plate number
id_number_type
plate number
ID Number Type
false
|
Style Period:
|
Indian art--North America
style_period
Indian art--North America
Style Period
false
|
Style Period:
|
Pueblo (Native American style)
style_period
Pueblo (Native American style)
Style Period
false
|
Culture:
|
Native American
culture
Native American
Culture
false
|
Culture:
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Tesuque
culture
Tesuque
Culture
false
|
Subject:
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Face painting
subject
Face painting
Subject
false
|
Subject:
|
Feathers
subject
Feathers
Subject
false
|
Subject:
|
Garters
subject
Garters
Subject
false
|
Subject:
|
Hairdressing
subject
Hairdressing
Subject
false
|
Subject:
|
Leggings
subject
Leggings
Subject
false
|
Subject:
|
Moccasins
subject
Moccasins
Subject
false
|
Subject:
|
Anklets (Ornaments)
subject
Anklets (Ornaments)
Subject
false
|
Subject:
|
Armbands
subject
Armbands
Subject
false
|
Subject:
|
Beadwork
subject
Beadwork
Subject
false
|
Subject:
|
Body painting
subject
Body painting
Subject
false
|
Subject:
|
Dancers
subject
Dancers
Subject
false
|
Subject:
|
Feather headdresses
subject
Feather headdresses
Subject
false
|
Subject:
|
Horned headdresses
subject
Horned headdresses
Subject
false
|
Subject:
|
Cuffs (Clothing)
subject
Cuffs (Clothing)
Subject
false
|
Subject:
|
Feather fans
subject
Feather fans
Subject
false
|
Subject:
|
Long underwear
subject
Long underwear
Subject
false
|
Subject:
|
Shirts, Men's
subject
Shirts, Men's
Subject
false
|
Subject:
|
Rattles
subject
Rattles
Subject
false
|
Subject:
|
Hides and skins
subject
Hides and skins
Subject
false
|
Subject:
|
Quivers
subject
Quivers
Subject
false
|
Subject:
|
Kilts
subject
Kilts
Subject
false
|
Subject:
|
Leaves
subject
Leaves
Subject
false
|
Subject:
|
Sashes (Costume)
subject
Sashes (Costume)
Subject
false
|
Subject:
|
Arrows
subject
Arrows
Subject
false
|
Subject:
|
Bows (Weapons)
subject
Bows (Weapons)
Subject
false
|
Subject:
|
Mantas (Clothing)
subject
Mantas (Clothing)
Subject
false
|
Subject:
|
Shawls
subject
Shawls
Subject
false
|
Subject:
|
Animal headdresses--Bison, American
subject
Animal headdresses--Bison, American
Subject
false
|
Subject:
|
Avanyu (Mythical animal)
subject
Avanyu (Mythical animal)
Subject
false
|
Subject:
|
Boot moccasins
subject
Boot moccasins
Subject
false
|
Subject:
|
Buffalo dance (Tesuque)
subject
Buffalo dance (Tesuque)
Subject
false
|
Subject:
|
Shells
subject
Shells
Subject
false
|
Subject:
|
Tesuque dance
subject
Tesuque dance
Subject
false
|
Related Work:
|
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
related_work
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
Related Work
false
|
Description:
|
From: American Indian Painters, Vol. 2, p. 10: Thomas Vigil, the elder, is a native of the little pueblo of Tesuque, near Santa Fe, where he was born in 1889. He was educated at the St. Catherine Sisters' School. Like many of the older generation of Indian artist, he had no instruction in art, being entirely self-taught. The Museum in Santa Fe early acquired some of his work for its permanent collection. At the present time, he does not practice the profession of art, being occupied with farming and other chores necessary for a living. His son, Tim, is now following his father's footsteps and producing watercolors in large dimensions. This painting of the traditional Buffalo Dance of the Rio Grande Pueblo people is included in this work because it marks an epoch in the development of Indian painting. Technically it is about on a part with the work of the early artists like Crescencio Martinez. These paintings' chief interest lies in their absolute sincerity. They are without pretense and as uninhibited as the work of school children. They are also sincere efforts to accurately portray religious observances. It is not an art for art's sake, but painting for a purpose. And this purpose is not so unlike that of the Christian monks of the eleventh century when "illuminating" their manuscripts. (Collection, University of Oklahoma) Map references: Tesuque Pueblo (N.M.)
description
From: American Indian Painters, Vol. 2, p. 10: Thomas Vigil, the elder, is a native of the little pueblo of Tesuque, near Santa Fe, where he was born in 1889. He was educated at the St. Catherine Sisters' School. Like many of the older generation of Indian artist, he had no instruction in art, being entirely self-taught. The Museum in Santa Fe early acquired some of his work for its permanent collection. At the present time, he does not practice the profession of art, being occupied with farming and other chores necessary for a living. His son, Tim, is now following his father's footsteps and producing watercolors in large dimensions. This painting of the traditional Buffalo Dance of the Rio Grande Pueblo people is included in this work because it marks an epoch in the development of Indian painting. Technically it is about on a part with the work of the early artists like Crescencio Martinez. These paintings' chief interest lies in their absolute sincerity. They are without pretense and as uninhibited as the work of school children. They are also sincere efforts to accurately portray religious observances. It is not an art for art's sake, but painting for a purpose. And this purpose is not so unlike that of the Christian monks of the eleventh century when "illuminating" their manuscripts. (Collection, University of Oklahoma) Map references: Tesuque Pueblo (N.M.)
Description
false
|
Reproduction Rights Statement:
|
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje
reproduction_rights_statement
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/.
Reproduction Rights Statement
false
|