COLLECTION NAME:
C. Szwedzicki: The North American Indian Works mediaCollectionId univcincin~28~28 C. Szwedzicki: The North American Indian Works Collection true
Record
Work Record ID:
297 work_record_id 297 Work Record ID false
Reproduction Record ID:
297 reproduction_record_id 297 Reproduction Record ID false
Work Class:
depictions work_class depictions Work Class false
Work Type:
print work_type print Work Type false
Title:
Les peintres indiens d'Amérique title Les peintres indiens d'Amérique Title false
Title Type:
collective title title_type collective title Title Type false
Title:
American Indian painters title American Indian painters Title false
Title Type:
alternate title_type alternate Title Type false
Title:
Harvest Dance title Harvest Dance Title false
Title Type:
constructed title title_type constructed title Title Type false
Measurements:
9.25 x 13.10 in (23.50 x 33.27 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm) measurements 9.25 x 13.10 in (23.50 x 33.27 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
paper (fiber product) material paper (fiber product) Material false
Material Type:
support material_type support Material Type false
Inscription:
Image Lower Right: Tse-ye-mu inscription Image Lower Right: Tse-ye-mu Inscription false
Inscription:
Above Image Right: PLANCHE 61 [Plate Number] inscription Above Image Right: PLANCHE 61 [Plate Number] Inscription false
Creator:
Vigil, Romando, 1902-1978 creator Vigil, Romando, 1902-1978 Creator false
Creator Dates:
1902-1978 creator_dates 1902-1978 Creator Dates false
Creator Nationality:
San Ildefonso creator_nationality San Ildefonso Creator Nationality false
Creator Name Variant:
Falling in Water (Tse Ye Mu) creator_name_variant Falling in Water (Tse Ye Mu) Creator Name Variant false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1950 date 1950 Date false
Location:
San Ildefonso Pueblo (N.M.) location San Ildefonso Pueblo (N.M.) Location false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
ARB RB Oversize E98.A7 J18 1950 Vol. 2 id_number ARB RB Oversize E98.A7 J18 1950 Vol. 2 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
ID Number:
61 id_number 61 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
Style Period:
Indian art--North America style_period Indian art--North America Style Period false
Style Period:
Pueblo (Native American style) style_period Pueblo (Native American style) Style Period false
Culture:
Native American culture Native American Culture false
Culture:
San Ildefonso culture San Ildefonso Culture false
Subject:
Face painting subject Face painting Subject false
Subject:
Fringe subject Fringe Subject false
Subject:
Garters subject Garters Subject false
Subject:
Hairdressing subject Hairdressing Subject false
Subject:
Wristbands subject Wristbands Subject false
Subject:
Anklets (Ornaments) subject Anklets (Ornaments) Subject false
Subject:
Armbands subject Armbands Subject false
Subject:
Body painting subject Body painting Subject false
Subject:
Dancers subject Dancers Subject false
Subject:
Feather headdresses subject Feather headdresses Subject false
Subject:
Necklaces subject Necklaces Subject false
Subject:
Feather fans subject Feather fans Subject false
Subject:
Headbands subject Headbands Subject false
Subject:
Drum sticks subject Drum sticks Subject false
Subject:
Drums subject Drums Subject false
Subject:
Bustles subject Bustles Subject false
Subject:
Hair ornaments subject Hair ornaments Subject false
Subject:
Headdresses subject Headdresses Subject false
Subject:
Shirts, Men's subject Shirts, Men's Subject false
Subject:
Rattles subject Rattles Subject false
Subject:
Hides and skins subject Hides and skins Subject false
Subject:
Kilts subject Kilts Subject false
Subject:
Leaves subject Leaves Subject false
Subject:
Sashes (Costume) subject Sashes (Costume) Subject false
Subject:
Blouses subject Blouses Subject false
Subject:
Skirts subject Skirts Subject false
Subject:
San Ildefonso dance subject San Ildefonso dance Subject false
Subject:
Decoration and ornament--Landforms subject Decoration and ornament--Landforms Subject false
Subject:
Decoration and ornament--Sky forms subject Decoration and ornament--Sky forms Subject false
Subject:
Trousers subject Trousers Subject false
Subject:
Boot moccasins subject Boot moccasins Subject false
Subject:
Harvest dance (San Ildefonso) subject Harvest dance (San Ildefonso) Subject false
Related Work:
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950. related_work Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950. Related Work false
Description:
From: American Indian Painters, Vol. 2, pp. 9-10: Everybody in the village seems to be an artist. Tse-Ye-Mu is another son of San Ildefonso who has brought renown to the ancient pueblo. He is a nephew of the famous potter, Maria Martinez. His son, Albert Vigil, shows talent and may carry on with art in the family tradition. Tse-Ye-Mu'[s production has not been as prolific as that of some other Indian artists; his paintings are not always showy but they make a strong appeal to the discriminating connoisseur. They are mostly conventionalized patterns, light, delicate, aloof, and very stately. His "Harvest Dance" is an excellent example of his style. The four dance figures with the accompanying two musicians constitute the pictorial part of the composition. The picture is framed at top and bottom by abstract decorations symbolic of the natural phenomena. However, the human figures are sufficiently stylized to harmonize with the purely decorative symbols. Unless kept under strict control there is a certain danger in such a combination of the pictorial and the decorative. Tse-Ye-Mu skirts this danger very well. What our Indian friends try to convey when they use this combination of dual subjects is the relationship between the physical and the spiritual world, as their sacred dances convey that relationship. Tse-Ye-Mu was born in 1902 and like most of the young men of the neighbourhood, went to the Santa Fe School. Of late years, Tse-Ye-Mu has done few watercolors. He has worked with Disney in Hollywood for some years, making many sketches for Bambi and other animals of the Disney fairyland. He has returned to his people and is now available as a muralist. The Indian School in Santa Fe has some of his murals, others are in La Fonda Hotel in Santa Fe, and in private collections. (Collection, University of Oklahoma) [Jacobson gives Native American Name as "Spruce Falling in Winter" and hyphenates the name Tse-Ye-Mu. In Pueblo Indian Painting, Alexander gives Native American Name as "Falling in Water" and does not hyphenate name Tse Ye Mu.] Map references: San Ildefonso Pueblo (N.M.) description From: American Indian Painters, Vol. 2, pp. 9-10: Everybody in the village seems to be an artist. Tse-Ye-Mu is another son of San Ildefonso who has brought renown to the ancient pueblo. He is a nephew of the famous potter, Maria Martinez. His son, Albert Vigil, shows talent and may carry on with art in the family tradition. Tse-Ye-Mu'[s production has not been as prolific as that of some other Indian artists; his paintings are not always showy but they make a strong appeal to the discriminating connoisseur. They are mostly conventionalized patterns, light, delicate, aloof, and very stately. His "Harvest Dance" is an excellent example of his style. The four dance figures with the accompanying two musicians constitute the pictorial part of the composition. The picture is framed at top and bottom by abstract decorations symbolic of the natural phenomena. However, the human figures are sufficiently stylized to harmonize with the purely decorative symbols. Unless kept under strict control there is a certain danger in such a combination of the pictorial and the decorative. Tse-Ye-Mu skirts this danger very well. What our Indian friends try to convey when they use this combination of dual subjects is the relationship between the physical and the spiritual world, as their sacred dances convey that relationship. Tse-Ye-Mu was born in 1902 and like most of the young men of the neighbourhood, went to the Santa Fe School. Of late years, Tse-Ye-Mu has done few watercolors. He has worked with Disney in Hollywood for some years, making many sketches for Bambi and other animals of the Disney fairyland. He has returned to his people and is now available as a muralist. The Indian School in Santa Fe has some of his murals, others are in La Fonda Hotel in Santa Fe, and in private collections. (Collection, University of Oklahoma) [Jacobson gives Native American Name as "Spruce Falling in Winter" and hyphenates the name Tse-Ye-Mu. In Pueblo Indian Painting, Alexander gives Native American Name as "Falling in Water" and does not hyphenate name Tse Ye Mu.] Map references: San Ildefonso Pueblo (N.M.) Description false
Reproduction Rights Statement:
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje… reproduction_rights_statement These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/. Reproduction Rights Statement false

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Harvest Dance