COLLECTION NAME:
|
C. Szwedzicki: The North American Indian Works
mediaCollectionId
univcincin~28~28
C. Szwedzicki: The North American Indian Works
Collection
true
|
|
Work Record ID:
|
297
work_record_id
297
Work Record ID
false
|
Reproduction Record ID:
|
297
reproduction_record_id
297
Reproduction Record ID
false
|
Work Class:
|
depictions
work_class
depictions
Work Class
false
|
Work Type:
|
print
work_type
print
Work Type
false
|
Title:
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Les peintres indiens d'Amérique
title
Les peintres indiens d'Amérique
Title
false
|
Title Type:
|
collective title
title_type
collective title
Title Type
false
|
Title:
|
American Indian painters
title
American Indian painters
Title
false
|
Title Type:
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alternate
title_type
alternate
Title Type
false
|
Title:
|
Harvest Dance
title
Harvest Dance
Title
false
|
Title Type:
|
constructed title
title_type
constructed title
Title Type
false
|
Measurements:
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9.25 x 13.10 in (23.50 x 33.27 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
measurements
9.25 x 13.10 in (23.50 x 33.27 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
|
paper (fiber product)
material
paper (fiber product)
Material
false
|
Material Type:
|
support
material_type
support
Material Type
false
|
Inscription:
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Image Lower Right: Tse-ye-mu
inscription
Image Lower Right: Tse-ye-mu
Inscription
false
|
Inscription:
|
Above Image Right: PLANCHE 61 [Plate Number]
inscription
Above Image Right: PLANCHE 61 [Plate Number]
Inscription
false
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Creator:
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Vigil, Romando, 1902-1978
creator
Vigil, Romando, 1902-1978
Creator
false
|
Creator Dates:
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1902-1978
creator_dates
1902-1978
Creator Dates
false
|
Creator Nationality:
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San Ildefonso
creator_nationality
San Ildefonso
Creator Nationality
false
|
Creator Name Variant:
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Falling in Water (Tse Ye Mu)
creator_name_variant
Falling in Water (Tse Ye Mu)
Creator Name Variant
false
|
Creator Type:
|
personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
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painter
creator_role
painter
Creator Role
false
|
Date:
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1950
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Location:
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San Ildefonso Pueblo (N.M.)
location
San Ildefonso Pueblo (N.M.)
Location
false
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Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
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current repository
repository_type
current repository
Repository Type
false
|
ID Number:
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ARB RB Oversize E98.A7 J18 1950 Vol. 2
id_number
ARB RB Oversize E98.A7 J18 1950 Vol. 2
ID Number
false
|
ID Number Type:
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call number
id_number_type
call number
ID Number Type
false
|
ID Number:
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61
id_number
61
ID Number
false
|
ID Number Type:
|
plate number
id_number_type
plate number
ID Number Type
false
|
Style Period:
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Indian art--North America
style_period
Indian art--North America
Style Period
false
|
Style Period:
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Pueblo (Native American style)
style_period
Pueblo (Native American style)
Style Period
false
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Culture:
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Native American
culture
Native American
Culture
false
|
Culture:
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San Ildefonso
culture
San Ildefonso
Culture
false
|
Subject:
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Face painting
subject
Face painting
Subject
false
|
Subject:
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Fringe
subject
Fringe
Subject
false
|
Subject:
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Garters
subject
Garters
Subject
false
|
Subject:
|
Hairdressing
subject
Hairdressing
Subject
false
|
Subject:
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Wristbands
subject
Wristbands
Subject
false
|
Subject:
|
Anklets (Ornaments)
subject
Anklets (Ornaments)
Subject
false
|
Subject:
|
Armbands
subject
Armbands
Subject
false
|
Subject:
|
Body painting
subject
Body painting
Subject
false
|
Subject:
|
Dancers
subject
Dancers
Subject
false
|
Subject:
|
Feather headdresses
subject
Feather headdresses
Subject
false
|
Subject:
|
Necklaces
subject
Necklaces
Subject
false
|
Subject:
|
Feather fans
subject
Feather fans
Subject
false
|
Subject:
|
Headbands
subject
Headbands
Subject
false
|
Subject:
|
Drum sticks
subject
Drum sticks
Subject
false
|
Subject:
|
Drums
subject
Drums
Subject
false
|
Subject:
|
Bustles
subject
Bustles
Subject
false
|
Subject:
|
Hair ornaments
subject
Hair ornaments
Subject
false
|
Subject:
|
Headdresses
subject
Headdresses
Subject
false
|
Subject:
|
Shirts, Men's
subject
Shirts, Men's
Subject
false
|
Subject:
|
Rattles
subject
Rattles
Subject
false
|
Subject:
|
Hides and skins
subject
Hides and skins
Subject
false
|
Subject:
|
Kilts
subject
Kilts
Subject
false
|
Subject:
|
Leaves
subject
Leaves
Subject
false
|
Subject:
|
Sashes (Costume)
subject
Sashes (Costume)
Subject
false
|
Subject:
|
Blouses
subject
Blouses
Subject
false
|
Subject:
|
Skirts
subject
Skirts
Subject
false
|
Subject:
|
San Ildefonso dance
subject
San Ildefonso dance
Subject
false
|
Subject:
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Decoration and ornament--Landforms
subject
Decoration and ornament--Landforms
Subject
false
|
Subject:
|
Decoration and ornament--Sky forms
subject
Decoration and ornament--Sky forms
Subject
false
|
Subject:
|
Trousers
subject
Trousers
Subject
false
|
Subject:
|
Boot moccasins
subject
Boot moccasins
Subject
false
|
Subject:
|
Harvest dance (San Ildefonso)
subject
Harvest dance (San Ildefonso)
Subject
false
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Related Work:
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Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
related_work
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
Related Work
false
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Description:
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From: American Indian Painters, Vol. 2, pp. 9-10: Everybody in the village seems to be an artist. Tse-Ye-Mu is another son of San Ildefonso who has brought renown to the ancient pueblo. He is a nephew of the famous potter, Maria Martinez. His son, Albert Vigil, shows talent and may carry on with art in the family tradition. Tse-Ye-Mu'[s production has not been as prolific as that of some other Indian artists; his paintings are not always showy but they make a strong appeal to the discriminating connoisseur. They are mostly conventionalized patterns, light, delicate, aloof, and very stately. His "Harvest Dance" is an excellent example of his style. The four dance figures with the accompanying two musicians constitute the pictorial part of the composition. The picture is framed at top and bottom by abstract decorations symbolic of the natural phenomena. However, the human figures are sufficiently stylized to harmonize with the purely decorative symbols. Unless kept under strict control there is a certain danger in such a combination of the pictorial and the decorative. Tse-Ye-Mu skirts this danger very well. What our Indian friends try to convey when they use this combination of dual subjects is the relationship between the physical and the spiritual world, as their sacred dances convey that relationship. Tse-Ye-Mu was born in 1902 and like most of the young men of the neighbourhood, went to the Santa Fe School. Of late years, Tse-Ye-Mu has done few watercolors. He has worked with Disney in Hollywood for some years, making many sketches for Bambi and other animals of the Disney fairyland. He has returned to his people and is now available as a muralist. The Indian School in Santa Fe has some of his murals, others are in La Fonda Hotel in Santa Fe, and in private collections. (Collection, University of Oklahoma) [Jacobson gives Native American Name as "Spruce Falling in Winter" and hyphenates the name Tse-Ye-Mu. In Pueblo Indian Painting, Alexander gives Native American Name as "Falling in Water" and does not hyphenate name Tse Ye Mu.] Map references: San Ildefonso Pueblo (N.M.)
description
From: American Indian Painters, Vol. 2, pp. 9-10: Everybody in the village seems to be an artist. Tse-Ye-Mu is another son of San Ildefonso who has brought renown to the ancient pueblo. He is a nephew of the famous potter, Maria Martinez. His son, Albert Vigil, shows talent and may carry on with art in the family tradition. Tse-Ye-Mu'[s production has not been as prolific as that of some other Indian artists; his paintings are not always showy but they make a strong appeal to the discriminating connoisseur. They are mostly conventionalized patterns, light, delicate, aloof, and very stately. His "Harvest Dance" is an excellent example of his style. The four dance figures with the accompanying two musicians constitute the pictorial part of the composition. The picture is framed at top and bottom by abstract decorations symbolic of the natural phenomena. However, the human figures are sufficiently stylized to harmonize with the purely decorative symbols. Unless kept under strict control there is a certain danger in such a combination of the pictorial and the decorative. Tse-Ye-Mu skirts this danger very well. What our Indian friends try to convey when they use this combination of dual subjects is the relationship between the physical and the spiritual world, as their sacred dances convey that relationship. Tse-Ye-Mu was born in 1902 and like most of the young men of the neighbourhood, went to the Santa Fe School. Of late years, Tse-Ye-Mu has done few watercolors. He has worked with Disney in Hollywood for some years, making many sketches for Bambi and other animals of the Disney fairyland. He has returned to his people and is now available as a muralist. The Indian School in Santa Fe has some of his murals, others are in La Fonda Hotel in Santa Fe, and in private collections. (Collection, University of Oklahoma) [Jacobson gives Native American Name as "Spruce Falling in Winter" and hyphenates the name Tse-Ye-Mu. In Pueblo Indian Painting, Alexander gives Native American Name as "Falling in Water" and does not hyphenate name Tse Ye Mu.] Map references: San Ildefonso Pueblo (N.M.)
Description
false
|
Reproduction Rights Statement:
|
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje
reproduction_rights_statement
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/.
Reproduction Rights Statement
false
|