COLLECTION NAME:
|
C. Szwedzicki: The North American Indian Works
mediaCollectionId
univcincin~28~28
C. Szwedzicki: The North American Indian Works
Collection
true
|
|
Work Record ID:
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295
work_record_id
295
Work Record ID
false
|
Reproduction Record ID:
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295
reproduction_record_id
295
Reproduction Record ID
false
|
Work Class:
|
depictions
work_class
depictions
Work Class
false
|
Work Type:
|
print
work_type
print
Work Type
false
|
Title:
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Les peintres indiens d'Amérique
title
Les peintres indiens d'Amérique
Title
false
|
Title Type:
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collective title
title_type
collective title
Title Type
false
|
Title:
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American Indian painters
title
American Indian painters
Title
false
|
Title Type:
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alternate
title_type
alternate
Title Type
false
|
Title:
|
Pine Tree Ceremonial Dance
title
Pine Tree Ceremonial Dance
Title
false
|
Title Type:
|
constructed title
title_type
constructed title
Title Type
false
|
Measurements:
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9.80 x 13.40 in (24.89 x 34.04 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
measurements
9.80 x 13.40 in (24.89 x 34.04 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
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paper (fiber product)
material
paper (fiber product)
Material
false
|
Material Type:
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support
material_type
support
Material Type
false
|
Inscription:
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Below Image Right: Jose Rey Toledo / Jemez, New Mexico
inscription
Below Image Right: Jose Rey Toledo / Jemez, New Mexico
Inscription
false
|
Inscription:
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Above Image Right: PLANCHE 59 [Plate Number]
inscription
Above Image Right: PLANCHE 59 [Plate Number]
Inscription
false
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Creator:
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Toledo, Jose Rey, 1915-1994
creator
Toledo, Jose Rey, 1915-1994
Creator
false
|
Creator Dates:
|
1915-1994
creator_dates
1915-1994
Creator Dates
false
|
Creator Nationality:
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Jemez
creator_nationality
Jemez
Creator Nationality
false
|
Creator Name Variant:
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Morning Star (Shobah Woonhon)
creator_name_variant
Morning Star (Shobah Woonhon)
Creator Name Variant
false
|
Creator Type:
|
personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
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painter
creator_role
painter
Creator Role
false
|
Date:
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1950
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Location:
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Jemez Pueblo (N.M.)
location
Jemez Pueblo (N.M.)
Location
false
|
Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
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current repository
repository_type
current repository
Repository Type
false
|
ID Number:
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ARB RB Oversize E98.A7 J18 1950 Vol. 2
id_number
ARB RB Oversize E98.A7 J18 1950 Vol. 2
ID Number
false
|
ID Number Type:
|
call number
id_number_type
call number
ID Number Type
false
|
ID Number:
|
59
id_number
59
ID Number
false
|
ID Number Type:
|
plate number
id_number_type
plate number
ID Number Type
false
|
Style Period:
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Indian art--North America
style_period
Indian art--North America
Style Period
false
|
Style Period:
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Pueblo (Native American style)
style_period
Pueblo (Native American style)
Style Period
false
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Culture:
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Native American
culture
Native American
Culture
false
|
Culture:
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Jemez
culture
Jemez
Culture
false
|
Subject:
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Dresses
subject
Dresses
Subject
false
|
Subject:
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Feathers
subject
Feathers
Subject
false
|
Subject:
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Garters
subject
Garters
Subject
false
|
Subject:
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Hairdressing
subject
Hairdressing
Subject
false
|
Subject:
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Moccasins
subject
Moccasins
Subject
false
|
Subject:
|
Anklets (Ornaments)
subject
Anklets (Ornaments)
Subject
false
|
Subject:
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Dancers
subject
Dancers
Subject
false
|
Subject:
|
Necklaces
subject
Necklaces
Subject
false
|
Subject:
|
Headbands
subject
Headbands
Subject
false
|
Subject:
|
Long underwear
subject
Long underwear
Subject
false
|
Subject:
|
Bustles
subject
Bustles
Subject
false
|
Subject:
|
Hair ornaments
subject
Hair ornaments
Subject
false
|
Subject:
|
Shirts, Men's
subject
Shirts, Men's
Subject
false
|
Subject:
|
Blankets
subject
Blankets
Subject
false
|
Subject:
|
Rattles
subject
Rattles
Subject
false
|
Subject:
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Staffs (Sticks, canes, etc.)
subject
Staffs (Sticks, canes, etc.)
Subject
false
|
Subject:
|
Kilts
subject
Kilts
Subject
false
|
Subject:
|
Leaves
subject
Leaves
Subject
false
|
Subject:
|
Puttees
subject
Puttees
Subject
false
|
Subject:
|
Baskets
subject
Baskets
Subject
false
|
Subject:
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Shawls
subject
Shawls
Subject
false
|
Subject:
|
Trousers
subject
Trousers
Subject
false
|
Subject:
|
Squashes
subject
Squashes
Subject
false
|
Subject:
|
Coats
subject
Coats
Subject
false
|
Subject:
|
Trees
subject
Trees
Subject
false
|
Subject:
|
Boot moccasins
subject
Boot moccasins
Subject
false
|
Subject:
|
Turquoise
subject
Turquoise
Subject
false
|
Subject:
|
Grapes
subject
Grapes
Subject
false
|
Subject:
|
Jemez dance
subject
Jemez dance
Subject
false
|
Subject:
|
Jemez Indians--Rites and ceremonies
subject
Jemez Indians--Rites and ceremonies
Subject
false
|
Subject:
|
Melons
subject
Melons
Subject
false
|
Subject:
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Pine
subject
Pine
Subject
false
|
Subject:
|
Pine Tree Ceremony dance (Jemez)
subject
Pine Tree Ceremony dance (Jemez)
Subject
false
|
Subject:
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Votive offerings
subject
Votive offerings
Subject
false
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Related Work:
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Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
related_work
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
Related Work
false
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Description:
|
From: American Indian Painters, Vol. 2, p. 9: On a sparkling Colorado day in the late summer, I received a letter from my friend, Jose, informing me that he was sending -- by registered airmail -- some sacred pollen and eagle feathers, and would I please drive up to the cliffs towering above Iceberg Lake on such and such a day, and there perform a sacred rite just as the sun came up over the horizon in the far East. "You see, it is my wedding morning, and I know that my adopted father cannot be present in my pueblo of Jemez on that day, so will he please perform this ceremony to the gods for me?" Minute instructions about the ritual followed as all must be done just right, and, as on after-thought -- "Perhaps you could get Garcia, my Indian friend, to go along to see that everything is done right." We complied, and some early travellers crossing the Trail Ridge in the lofty Rocky Mountains National Park, stopped to listen to the strange phenomenon of sacred Indian chants from the highest ridge above the frozen lake, as the sun rose. It was an expression of an Indian artist's friendship. A year before I had been able to give Jose some instruction and encouragement in art. It was evident that here was a rare talent although as yet undeveloped. At that time, he was working as a salesman and handyman at an Indian Trading Post and had little time for creative work, but he utilized all precious moments. The next season he did not return. The elders did not approve of his drifting away from the environment of the Pueblo, and from the traditions and ideals of the tribe. He settled down near his ancestral village to eke out a living for a wife and family as they arrived on schedule. Jose Toledo was born in Jemez in 1915. He went to the Indian Vocational School at Albuquerque; later he was to have a year at the University of New Mexico. There he received no encouragement to develop his own Pueblo art. He developed very rapidly, and early exhibited his work at many important art museums in the United States. He is now considered one of the more important Indian artists of the Southwest. Jose won first prize in the Pueblo group at Philbrook Art Center, Tulsa, in 1947, for his "Dancing Spirits". "The Pine Tree Ceremonial" is a very important painting by Toledo, showing one of the numerous religious ceremonies which are performed throughout the year. In this painting, the predominant colors are cool in harmony. (Collection, University of Oklahoma)
description
From: American Indian Painters, Vol. 2, p. 9: On a sparkling Colorado day in the late summer, I received a letter from my friend, Jose, informing me that he was sending -- by registered airmail -- some sacred pollen and eagle feathers, and would I please drive up to the cliffs towering above Iceberg Lake on such and such a day, and there perform a sacred rite just as the sun came up over the horizon in the far East. "You see, it is my wedding morning, and I know that my adopted father cannot be present in my pueblo of Jemez on that day, so will he please perform this ceremony to the gods for me?" Minute instructions about the ritual followed as all must be done just right, and, as on after-thought -- "Perhaps you could get Garcia, my Indian friend, to go along to see that everything is done right." We complied, and some early travellers crossing the Trail Ridge in the lofty Rocky Mountains National Park, stopped to listen to the strange phenomenon of sacred Indian chants from the highest ridge above the frozen lake, as the sun rose. It was an expression of an Indian artist's friendship. A year before I had been able to give Jose some instruction and encouragement in art. It was evident that here was a rare talent although as yet undeveloped. At that time, he was working as a salesman and handyman at an Indian Trading Post and had little time for creative work, but he utilized all precious moments. The next season he did not return. The elders did not approve of his drifting away from the environment of the Pueblo, and from the traditions and ideals of the tribe. He settled down near his ancestral village to eke out a living for a wife and family as they arrived on schedule. Jose Toledo was born in Jemez in 1915. He went to the Indian Vocational School at Albuquerque; later he was to have a year at the University of New Mexico. There he received no encouragement to develop his own Pueblo art. He developed very rapidly, and early exhibited his work at many important art museums in the United States. He is now considered one of the more important Indian artists of the Southwest. Jose won first prize in the Pueblo group at Philbrook Art Center, Tulsa, in 1947, for his "Dancing Spirits". "The Pine Tree Ceremonial" is a very important painting by Toledo, showing one of the numerous religious ceremonies which are performed throughout the year. In this painting, the predominant colors are cool in harmony. (Collection, University of Oklahoma)
Description
false
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Reproduction Rights Statement:
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These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje
reproduction_rights_statement
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/.
Reproduction Rights Statement
false
|