COLLECTION NAME:
|
C. Szwedzicki: The North American Indian Works
mediaCollectionId
univcincin~28~28
C. Szwedzicki: The North American Indian Works
Collection
true
|
|
Work Record ID:
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294
work_record_id
294
Work Record ID
false
|
Reproduction Record ID:
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294
reproduction_record_id
294
Reproduction Record ID
false
|
Work Class:
|
depictions
work_class
depictions
Work Class
false
|
Work Type:
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print
work_type
print
Work Type
false
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Title:
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Les peintres indiens d'Amérique
title
Les peintres indiens d'Amérique
Title
false
|
Title Type:
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collective title
title_type
collective title
Title Type
false
|
Title:
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American Indian painters
title
American Indian painters
Title
false
|
Title Type:
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alternate
title_type
alternate
Title Type
false
|
Title:
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Girl Harvest Dancer
title
Girl Harvest Dancer
Title
false
|
Title Type:
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constructed title
title_type
constructed title
Title Type
false
|
Measurements:
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10.55 x 3.80 in (26.80 x 9.65 cm) on sheet 17.60 x 12.50 in (44.70 x 31.75 cm)
measurements
10.55 x 3.80 in (26.80 x 9.65 cm) on sheet 17.60 x 12.50 in (44.70 x 31.75 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
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paper (fiber product)
material
paper (fiber product)
Material
false
|
Material Type:
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support
material_type
support
Material Type
false
|
Inscription:
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Below Image Right: Ku-pe-ru '46
inscription
Below Image Right: Ku-pe-ru '46
Inscription
false
|
Inscription:
|
Above Image Right: PLANCHE 58 [Plate Number]
inscription
Above Image Right: PLANCHE 58 [Plate Number]
Inscription
false
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Creator:
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Suina, Theodore, 1918-
creator
Suina, Theodore, 1918-
Creator
false
|
Creator Dates:
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1918-
creator_dates
1918-
Creator Dates
false
|
Creator Nationality:
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Cochiti
creator_nationality
Cochiti
Creator Nationality
false
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Creator Name Variant:
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Ku Pe Ru
creator_name_variant
Ku Pe Ru
Creator Name Variant
false
|
Creator Type:
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personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
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painter
creator_role
painter
Creator Role
false
|
Date:
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1950
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Location:
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Cochiti Pueblo (N.M.)
location
Cochiti Pueblo (N.M.)
Location
false
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Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
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current repository
repository_type
current repository
Repository Type
false
|
ID Number:
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ARB RB Oversize E98.A7 J18 1950 Vol. 2
id_number
ARB RB Oversize E98.A7 J18 1950 Vol. 2
ID Number
false
|
ID Number Type:
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call number
id_number_type
call number
ID Number Type
false
|
ID Number:
|
58
id_number
58
ID Number
false
|
ID Number Type:
|
plate number
id_number_type
plate number
ID Number Type
false
|
Style Period:
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Indian art--North America
style_period
Indian art--North America
Style Period
false
|
Style Period:
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Pueblo (Native American style)
style_period
Pueblo (Native American style)
Style Period
false
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Culture:
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Native American
culture
Native American
Culture
false
|
Culture:
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Cochiti
culture
Cochiti
Culture
false
|
Subject:
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Dresses
subject
Dresses
Subject
false
|
Subject:
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Feathers
subject
Feathers
Subject
false
|
Subject:
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Hairdressing
subject
Hairdressing
Subject
false
|
Subject:
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Moccasins
subject
Moccasins
Subject
false
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Subject:
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Wristbands
subject
Wristbands
Subject
false
|
Subject:
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Dancers
subject
Dancers
Subject
false
|
Subject:
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Cloaks
subject
Cloaks
Subject
false
|
Subject:
|
Hair ornaments
subject
Hair ornaments
Subject
false
|
Subject:
|
Earrings
subject
Earrings
Subject
false
|
Subject:
|
Sashes (Costume)
subject
Sashes (Costume)
Subject
false
|
Subject:
|
Blouses
subject
Blouses
Subject
false
|
Subject:
|
Puttees
subject
Puttees
Subject
false
|
Subject:
|
Corn
subject
Corn
Subject
false
|
Subject:
|
Tassels
subject
Tassels
Subject
false
|
Subject:
|
Cochiti dance
subject
Cochiti dance
Subject
false
|
Subject:
|
Harvest dance (Cochiti)
subject
Harvest dance (Cochiti)
Subject
false
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Related Work:
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Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
related_work
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
Related Work
false
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Description:
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From: American Indian Painters, Vol. 2, p. 9: He had delicate and refined features. His face was a little pale and showed signs of suffering but of calm resignation. He had been sitting propped up against the wall of his pueblo home for two years with a broken back, after having been thrown from a horse. This infirmity probably made an artist of Ku-Pe-Ru. It is probably also responsible for the delicacy and tenderness as well as the suavity and grace in his work. Without the least resemblance, Suina's work somehow recalls to mind the painting of the pious old Siennese masters of 1300. Ku-Pe-Ru was born in 1917 in Cochiti. To pass the long days during his terrible infirmity, he began painting in 1936, having been encouraged by white friends, who furnished him with paints. This gave him courage, and he was sufficiently recovered so that, in 1938, he enrolled at the Indian School in Santa Fe and studied art under Geronima Montoya. He graduated from the school in 1942. He enlisted in February 1942 and served for thirty-eight months in the South Pacific theatre of war, taking part in many of the major campaigns and winning decorations He returned in 1945 and has resumed his creative work in art. The dear little girl in the "Girl Harvest Dancer" has the same delicacy and charm, the same simple piety and devotion as the angels and madonnas in Simone Martini or Duccio but is much more alive and youthful than they. The technique of Ku-Pe-Ru is precise and sure but without bravura. The colors are harmonious, but much more varied and interesting than those of the old masters of central Italy. His paintings have been shown in many of the larger museums and art galleries of the country. I believe even greater work from him may be expected. (Collection, Oscar Brousee Jacobson) Map references: Cochiti Pueblo (N.M.)
description
From: American Indian Painters, Vol. 2, p. 9: He had delicate and refined features. His face was a little pale and showed signs of suffering but of calm resignation. He had been sitting propped up against the wall of his pueblo home for two years with a broken back, after having been thrown from a horse. This infirmity probably made an artist of Ku-Pe-Ru. It is probably also responsible for the delicacy and tenderness as well as the suavity and grace in his work. Without the least resemblance, Suina's work somehow recalls to mind the painting of the pious old Siennese masters of 1300. Ku-Pe-Ru was born in 1917 in Cochiti. To pass the long days during his terrible infirmity, he began painting in 1936, having been encouraged by white friends, who furnished him with paints. This gave him courage, and he was sufficiently recovered so that, in 1938, he enrolled at the Indian School in Santa Fe and studied art under Geronima Montoya. He graduated from the school in 1942. He enlisted in February 1942 and served for thirty-eight months in the South Pacific theatre of war, taking part in many of the major campaigns and winning decorations He returned in 1945 and has resumed his creative work in art. The dear little girl in the "Girl Harvest Dancer" has the same delicacy and charm, the same simple piety and devotion as the angels and madonnas in Simone Martini or Duccio but is much more alive and youthful than they. The technique of Ku-Pe-Ru is precise and sure but without bravura. The colors are harmonious, but much more varied and interesting than those of the old masters of central Italy. His paintings have been shown in many of the larger museums and art galleries of the country. I believe even greater work from him may be expected. (Collection, Oscar Brousee Jacobson) Map references: Cochiti Pueblo (N.M.)
Description
false
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Reproduction Rights Statement:
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These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje
reproduction_rights_statement
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/.
Reproduction Rights Statement
false
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