COLLECTION NAME:
|
C. Szwedzicki: The North American Indian Works
mediaCollectionId
univcincin~28~28
C. Szwedzicki: The North American Indian Works
Collection
true
|
|
Work Record ID:
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243
work_record_id
243
Work Record ID
false
|
Reproduction Record ID:
|
243
reproduction_record_id
243
Reproduction Record ID
false
|
Work Class:
|
depictions
work_class
depictions
Work Class
false
|
Work Type:
|
print
work_type
print
Work Type
false
|
Title:
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Les peintres indiens d'Amérique
title
Les peintres indiens d'Amérique
Title
false
|
Title Type:
|
collective title
title_type
collective title
Title Type
false
|
Title:
|
American Indian painters
title
American Indian painters
Title
false
|
Title Type:
|
alternate
title_type
alternate
Title Type
false
|
Title:
|
Creek Indians Going to Meeting
title
Creek Indians Going to Meeting
Title
false
|
Title Type:
|
constructed title
title_type
constructed title
Title Type
false
|
Measurements:
|
6.60 x 11.75 in (16.76 x 29.85 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
measurements
6.60 x 11.75 in (16.76 x 29.85 cm) on sheet 12.50 x 17.60 in (31.75 x 44.70 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
|
paper (fiber product)
material
paper (fiber product)
Material
false
|
Material Type:
|
support
material_type
support
Material Type
false
|
Inscription:
|
Below Image Right: McCombs
inscription
Below Image Right: McCombs
Inscription
false
|
Inscription:
|
Above Image Right: PLANCHE 7 [Plate Number]
inscription
Above Image Right: PLANCHE 7 [Plate Number]
Inscription
false
|
Creator:
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McCombs, Solomon, 1913-1980
creator
McCombs, Solomon, 1913-1980
Creator
false
|
Creator Dates:
|
1913-1980
creator_dates
1913-1980
Creator Dates
false
|
Creator Nationality:
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Creek
creator_nationality
Creek
Creator Nationality
false
|
Creator Name Variant:
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Wolf Warrior
creator_name_variant
Wolf Warrior
Creator Name Variant
false
|
Creator Type:
|
personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
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painter
creator_role
painter
Creator Role
false
|
Date:
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1950
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Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
|
current repository
repository_type
current repository
Repository Type
false
|
ID Number:
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7
id_number
7
ID Number
false
|
ID Number Type:
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plate number
id_number_type
plate number
ID Number Type
false
|
ID Number:
|
ARB RB Oversize E98.A7 J18 1950 Vol. 1
id_number
ARB RB Oversize E98.A7 J18 1950 Vol. 1
ID Number
false
|
ID Number Type:
|
call number
id_number_type
call number
ID Number Type
false
|
Style Period:
|
Indian art--North America
style_period
Indian art--North America
Style Period
false
|
Style Period:
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Creek (style)
style_period
Creek (style)
Style Period
false
|
Culture:
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Native American
culture
Native American
Culture
false
|
Culture:
|
Creek
culture
Creek
Culture
false
|
Subject:
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Dresses
subject
Dresses
Subject
false
|
Subject:
|
Feathers
subject
Feathers
Subject
false
|
Subject:
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Fringe
subject
Fringe
Subject
false
|
Subject:
|
Leggings
subject
Leggings
Subject
false
|
Subject:
|
Moccasins
subject
Moccasins
Subject
false
|
Subject:
|
Armbands
subject
Armbands
Subject
false
|
Subject:
|
Beadwork
subject
Beadwork
Subject
false
|
Subject:
|
Shirts, Men's
subject
Shirts, Men's
Subject
false
|
Subject:
|
Bridles
subject
Bridles
Subject
false
|
Subject:
|
Horseback riding
subject
Horseback riding
Subject
false
|
Subject:
|
Horses
subject
Horses
Subject
false
|
Subject:
|
Shawls
subject
Shawls
Subject
false
|
Subject:
|
Plants
subject
Plants
Subject
false
|
Subject:
|
Hats
subject
Hats
Subject
false
|
Subject:
|
Saddles
subject
Saddles
Subject
false
|
Subject:
|
Dogs
subject
Dogs
Subject
false
|
Subject:
|
Bedrolls
subject
Bedrolls
Subject
false
|
Subject:
|
Bandolier bags
subject
Bandolier bags
Subject
false
|
Subject:
|
Cactus
subject
Cactus
Subject
false
|
Subject:
|
Gorgets
subject
Gorgets
Subject
false
|
Subject:
|
Ostriches
subject
Ostriches
Subject
false
|
Subject:
|
Trade silver
subject
Trade silver
Subject
false
|
Subject:
|
Turban headdresses
subject
Turban headdresses
Subject
false
|
Related Work:
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Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
related_work
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950.
Related Work
false
|
Description:
|
From: American Indian Painters, Vol. 1, p. 12: The eastern half of Oklahoma was the old Indian Territory. It is a beautiful country of wooded hills and valleys, sparkling streams and bubbling springs. To this land, eastern and southern tribes like the Cherokees, Chickasaws, Choctaws, Seminoles, Kickapoos, Shawnees, Delawares and Creeks were forcibly moved in the first quarter of the nineteenth century. It was to be their permanent abode. There they were to be permitted to remain undisturbed. There they formed their civil governments, built their capitals, organized their schools and churches, and published books and newspapers. Indian Territory had a printing press before Minnesota. There they established independent Indian nations, recognized by Washington; but white infiltration could not be prevented. The two races have intermarried and the Indian nationals have become citizens of the United States. Many of our first families belong to these great tribes. From them have come United States senators, educators, novelists, industrialists, and people distinguished in many fields. Solomon McCombs is Creek, Cherokee and Irish, consequently a typical eastern Oklahoman. A few years ago it was my pleasure to dedicate the Art Building at Bacone College. It is named McCombs Hall in honor of his grandfather. Solomon was born in 1913 and grew up on a ranch in eastern Oklahoma. He went to Bacone College and had art instruction with Acee Blue Eagle. Solomon did much painting at Bacone College and shortly after leaving school. His work was widely exhibited. His "Creek Indian Ceremonial Dance" was with a travelling exhibit sponsored by the American Association of University Women, and "The Creek Warrior's Parade" was in another travelling exhibition under the patronage of the WPA art program, Washington. His mural designs were on exhibition at the Canadian Artists' Conference at Queens University, Kingston, Canada, in 1940. He has some murals to his credit. The best known is perhaps the one at Eufaula Post Office. Solomon is especially interested in the Creeks. He has done considerable research on their history and most of his paintings are of this tribe. "Creek Indians Going to Meeting" portrays the Creeks in the dress they wore at the time when they were forcibly moved into Oklahoma, over one hundred years ago. The eastern Indians did not then wear the "typical" dress of buckskin and feathers. (Collection University of Oklahoma).
description
From: American Indian Painters, Vol. 1, p. 12: The eastern half of Oklahoma was the old Indian Territory. It is a beautiful country of wooded hills and valleys, sparkling streams and bubbling springs. To this land, eastern and southern tribes like the Cherokees, Chickasaws, Choctaws, Seminoles, Kickapoos, Shawnees, Delawares and Creeks were forcibly moved in the first quarter of the nineteenth century. It was to be their permanent abode. There they were to be permitted to remain undisturbed. There they formed their civil governments, built their capitals, organized their schools and churches, and published books and newspapers. Indian Territory had a printing press before Minnesota. There they established independent Indian nations, recognized by Washington; but white infiltration could not be prevented. The two races have intermarried and the Indian nationals have become citizens of the United States. Many of our first families belong to these great tribes. From them have come United States senators, educators, novelists, industrialists, and people distinguished in many fields. Solomon McCombs is Creek, Cherokee and Irish, consequently a typical eastern Oklahoman. A few years ago it was my pleasure to dedicate the Art Building at Bacone College. It is named McCombs Hall in honor of his grandfather. Solomon was born in 1913 and grew up on a ranch in eastern Oklahoma. He went to Bacone College and had art instruction with Acee Blue Eagle. Solomon did much painting at Bacone College and shortly after leaving school. His work was widely exhibited. His "Creek Indian Ceremonial Dance" was with a travelling exhibit sponsored by the American Association of University Women, and "The Creek Warrior's Parade" was in another travelling exhibition under the patronage of the WPA art program, Washington. His mural designs were on exhibition at the Canadian Artists' Conference at Queens University, Kingston, Canada, in 1940. He has some murals to his credit. The best known is perhaps the one at Eufaula Post Office. Solomon is especially interested in the Creeks. He has done considerable research on their history and most of his paintings are of this tribe. "Creek Indians Going to Meeting" portrays the Creeks in the dress they wore at the time when they were forcibly moved into Oklahoma, over one hundred years ago. The eastern Indians did not then wear the "typical" dress of buckskin and feathers. (Collection University of Oklahoma).
Description
false
|
Reproduction Rights Statement:
|
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje
reproduction_rights_statement
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/.
Reproduction Rights Statement
false
|