COLLECTION NAME:
C. Szwedzicki: The North American Indian Works mediaCollectionId univcincin~28~28 C. Szwedzicki: The North American Indian Works Collection true
Record
Work Record ID:
57 work_record_id 57 Work Record ID false
Reproduction Record ID:
57 reproduction_record_id 57 Reproduction Record ID false
Work Class:
depictions work_class depictions Work Class false
Work Type:
print work_type print Work Type false
Title:
Pueblo Indian painting; 50 reproductions of watercolor paintings by Indian artists of the New Mexican pueblos of San Ildefonso and Sia title Pueblo Indian painting; 50 reproductions of watercolor paintings by Indian artists of the New Mexican pueblos of San Ildefonso and Sia Title false
Title Type:
collective title title_type collective title Title Type false
Title:
Montezuma Summoning the Animals from their Caverns title Montezuma Summoning the Animals from their Caverns Title false
Title Type:
constructed title title_type constructed title Title Type false
Measurements:
11.95 x 16.15 in (30.35 x 41.02 cm) on sheet 14.70 x 19.35 in (37.34 x 49.15 cm) measurements 11.95 x 16.15 in (30.35 x 41.02 cm) on sheet 14.70 x 19.35 in (37.34 x 49.15 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
paper (fiber product) material paper (fiber product) Material false
Material Type:
support material_type support Material Type false
Inscription:
Below Image Center: Richard Martinez inscription Below Image Center: Richard Martinez Inscription false
Inscription:
Above Image Right: 25 [Plate Number] inscription Above Image Right: 25 [Plate Number] Inscription false
Creator:
Martinez, Richard, 1904-1987 creator Martinez, Richard, 1904-1987 Creator false
Creator Dates:
1904-1987 creator_dates 1904-1987 Creator Dates false
Creator Nationality:
San Ildefonso creator_nationality San Ildefonso Creator Nationality false
Creator Name Variant:
Opa Mu Nu creator_name_variant Opa Mu Nu Creator Name Variant false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1932 date 1932 Date false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
ARB RB Oversize E98.A7 P88 id_number ARB RB Oversize E98.A7 P88 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
ID Number:
25 id_number 25 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
Style Period:
Indian art--North America style_period Indian art--North America Style Period false
Style Period:
Pueblo (Native American style) style_period Pueblo (Native American style) Style Period false
Culture:
Native American culture Native American Culture false
Culture:
San Ildefonso culture San Ildefonso Culture false
Subject:
Feathers subject Feathers Subject false
Subject:
Fringe subject Fringe Subject false
Subject:
Leggings subject Leggings Subject false
Subject:
Moccasins subject Moccasins Subject false
Subject:
Headbands subject Headbands Subject false
Subject:
Bison, American subject Bison, American Subject false
Subject:
Shirts, Men's subject Shirts, Men's Subject false
Subject:
Hides and skins subject Hides and skins Subject false
Subject:
Quivers subject Quivers Subject false
Subject:
Shields subject Shields Subject false
Subject:
Montezuma (Pueblo diety) subject Montezuma (Pueblo diety) Subject false
Subject:
Mountains subject Mountains Subject false
Subject:
Deer subject Deer Subject false
Subject:
Sun subject Sun Subject false
Subject:
Rainbow subject Rainbow Subject false
Subject:
Plants subject Plants Subject false
Related Work:
Alexander, Hartley Burr, 1873-1939. Pueblo Indian painting; 50 reproductions of watercolor paintings by Indian artists of the New Mexican pueblos of San Ildefonso and Sia, with introduction and notes by Dr. Hartley Burr Alexander. Nice (France): C. Szwedzicki, [c1932]. related_work Alexander, Hartley Burr, 1873-1939. Pueblo Indian painting; 50 reproductions of watercolor paintings by Indian artists of the New Mexican pueblos of San Ildefonso and Sia, with introduction and notes by Dr. Hartley Burr Alexander. Nice (France): C. Szwedzicki, [c1932]. Related Work false
Description:
Excerpt from Pueblo Indian Painting. p. 16: In Pueblo Indian lore the name of the last aztec king, probably brought to New Mexico by Indians in the train of Spanish explorers, has been adopted for the culture hero of their own elder mythic cycles. It is Montezuma, they say, who first summoned the game from the Underworld caverns to be food for man, Montezuma who brouught ordertly life into human society and established his people in villages, and it is Montezuma who, mounting an eagle and ascending into the sky-world after the coming of the white man, left with his Indian children the promise of his later coming to restore their ancient rites and joys. The myth is of the cycle of the tales of Quetzalcoatl and Kukulcan (of cover design), symbolized by the Plumed Serpent (cf. Plate 15), and is undoubtedly pre-Columbian in origin. The drawing shows Montezuma as the great culture hero while beyond him are the mountains whence the deer and the bison have come forth, with sun and rainbow and arc indeicative of the sky (see also Plate 36). description Excerpt from Pueblo Indian Painting. p. 16: In Pueblo Indian lore the name of the last aztec king, probably brought to New Mexico by Indians in the train of Spanish explorers, has been adopted for the culture hero of their own elder mythic cycles. It is Montezuma, they say, who first summoned the game from the Underworld caverns to be food for man, Montezuma who brouught ordertly life into human society and established his people in villages, and it is Montezuma who, mounting an eagle and ascending into the sky-world after the coming of the white man, left with his Indian children the promise of his later coming to restore their ancient rites and joys. The myth is of the cycle of the tales of Quetzalcoatl and Kukulcan (of cover design), symbolized by the Plumed Serpent (cf. Plate 15), and is undoubtedly pre-Columbian in origin. The drawing shows Montezuma as the great culture hero while beyond him are the mountains whence the deer and the bison have come forth, with sun and rainbow and arc indeicative of the sky (see also Plate 36). Description false
Reproduction Rights Statement:
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje… reproduction_rights_statement These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/. Reproduction Rights Statement false

Montezuma Summoning the Animals from their Caverns

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Montezuma Summoning the Animals from their Caverns