COLLECTION NAME:
|
George Catlin: The Printed Works
mediaCollectionId
univcincin~25~25
George Catlin: The Printed Works
Collection
true
|
|
Work Record ID:
|
683
work_record_id
683
Work Record ID
false
|
Reproduction Record ID:
|
683
reproduction_record_id
683
Reproduction Record ID
false
|
Work Class:
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group portraits
work_class
group portraits
Work Class
false
|
Work Type:
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print
work_type
print
Work Type
false
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Title:
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Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America.
title
Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America.
Title
false
|
Title Type:
|
collective title
title_type
collective title
Title Type
false
|
Title:
|
Ball Players.
title
Ball Players.
Title
false
|
Title Type:
|
inscribed title
title_type
inscribed title
Title Type
false
|
Measurements:
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13.00 x 18.50 in (33.02 x 46.99 cm) on sheet ca. 17 x 23.5 in (43.2 x 59.7 cm)
measurements
13.00 x 18.50 in (33.02 x 46.99 cm) on sheet ca. 17 x 23.5 in (43.2 x 59.7 cm)
Measurements
false
|
Measurement Type:
|
dimensions
measurement_type
dimensions
Measurement Type
false
|
Material:
|
rag paper
material
rag paper
Material
false
|
Material Type:
|
support
material_type
support
Material Type
false
|
Technique:
|
lithotint
technique
lithotint
Technique
false
|
Creator:
|
Catlin, George, 1796-1872
creator
Catlin, George, 1796-1872
Creator
false
|
Creator Dates:
|
1796-1872
creator_dates
1796-1872
Creator Dates
false
|
Creator Nationality:
|
American
creator_nationality
American
Creator Nationality
false
|
Creator Type:
|
personal name
creator_type
personal name
Creator Type
false
|
Creator Role:
|
painter
creator_role
painter
Creator Role
false
|
Date:
|
1875-1877
date
1875-1877
Date
false
|
Location:
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Fort Gibson (Okla.)
location
Fort Gibson (Okla.)
Location
false
|
Location Type:
|
creation site
location_type
creation site
Location Type
false
|
Location:
|
Fort Snelling (Minn.)
location
Fort Snelling (Minn.)
Location
false
|
Location Type:
|
creation site
location_type
creation site
Location Type
false
|
Repository:
|
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
|
Repository Type:
|
current repository
repository_type
current repository
Repository Type
false
|
ID Number:
|
21
id_number
21
ID Number
false
|
ID Number Type:
|
plate number
id_number_type
plate number
ID Number Type
false
|
ID Number:
|
74
id_number
74
ID Number
false
|
ID Number Type:
|
standard number
id_number_type
standard number
ID Number Type
false
|
ID Number:
|
75
id_number
75
ID Number
false
|
ID Number Type:
|
standard number
id_number_type
standard number
ID Number Type
false
|
ID Number:
|
299
id_number
299
ID Number
false
|
ID Number Type:
|
standard number
id_number_type
standard number
ID Number Type
false
|
ID Number:
|
ARB RB Oversize E77.C3
id_number
ARB RB Oversize E77.C3
ID Number
false
|
ID Number Type:
|
call number
id_number_type
call number
ID Number Type
false
|
Style Period:
|
Art, American--19th century
style_period
Art, American--19th century
Style Period
false
|
Style Period:
|
realism
style_period
realism
Style Period
false
|
Culture:
|
American
culture
American
Culture
false
|
Subject:
|
Indians of North America--19th century
subject
Indians of North America--19th century
Subject
false
|
Subject:
|
Indians in art
subject
Indians in art
Subject
false
|
Subject:
|
Hairdressing
subject
Hairdressing
Subject
false
|
Subject:
|
Bracelets
subject
Bracelets
Subject
false
|
Subject:
|
Breechcloths
subject
Breechcloths
Subject
false
|
Subject:
|
Beadwork
subject
Beadwork
Subject
false
|
Subject:
|
Belts (Clothing)
subject
Belts (Clothing)
Subject
false
|
Subject:
|
Face painting
subject
Face painting
Subject
false
|
Subject:
|
Feathers
subject
Feathers
Subject
false
|
Subject:
|
Braids (Hairdressing)
subject
Braids (Hairdressing)
Subject
false
|
Subject:
|
Necklaces
subject
Necklaces
Subject
false
|
Subject:
|
Earrings
subject
Earrings
Subject
false
|
Subject:
|
Roaches (Hair)
subject
Roaches (Hair)
Subject
false
|
Subject:
|
Horsehair
subject
Horsehair
Subject
false
|
Subject:
|
Tacks
subject
Tacks
Subject
false
|
Subject:
|
Headdresses
subject
Headdresses
Subject
false
|
Subject:
|
Choctaw
subject
Choctaw
Subject
false
|
Subject:
|
He Who Drinks the Juice of the Stone (Tul-lock-chish-ko)
subject
He Who Drinks the Juice of the Stone (Tul-lock-chish-ko)
Subject
false
|
Subject:
|
Ball games
subject
Ball games
Subject
false
|
Subject:
|
Ball sticks
subject
Ball sticks
Subject
false
|
Subject:
|
Dakota (Santee)
subject
Dakota (Santee)
Subject
false
|
Subject:
|
He Who Stands on Both Sides (Ah-no-je-nahge)
subject
He Who Stands on Both Sides (Ah-no-je-nahge)
Subject
false
|
Subject:
|
Red Man (We-chush-ta-doo-ta)
subject
Red Man (We-chush-ta-doo-ta)
Subject
false
|
Related Work:
|
Catlin, George, 1796-1872. [Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. London: Chatto & Windus, 1875-1877.]
related_work
Catlin, George, 1796-1872. [Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. London: Chatto & Windus, 1875-1877.]
Related Work
false
|
Relation Type:
|
larger entity
relation_type
larger entity
Relation Type
false
|
Description:
|
Described in Catlin's North American Indian Portfolio p. 15. Left to Right: 1. He Who Drinks the Juice of the Stone, Choctaw, painted at Fort Gibson in 1834, Gallery No. 299 (Truettner, 1979, p. 227). Entry from Catlin's 1848 catalog reads, "Tul-lock-chish-ko, Full-length, in the dress and attitude of a ball-player, with ball-sticks in his hand, and tail, made of white horsehair, attached to his belt." 2. Red Man, Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 75 (Truettner, 1979, p. 165). Entry from Catlin's 1848 catalog reads, "We-chush-ta-doo-ta, the Red Man; the two [with He Who Stands on Both Sides] most distinguished ball-players of the Sioux tribe, in their ball-play dress, with their ball-sticks in their hands." 3. He Who Stands on Both Sides (Ah-no-je-nahge), Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 74 (Truettner, 1979, p. 165). See also plates 223, 235, and 236 in Manners, Customs and Condition of the North American Indians.
description
Described in Catlin's North American Indian Portfolio p. 15. Left to Right: 1. He Who Drinks the Juice of the Stone, Choctaw, painted at Fort Gibson in 1834, Gallery No. 299 (Truettner, 1979, p. 227). Entry from Catlin's 1848 catalog reads, "Tul-lock-chish-ko, Full-length, in the dress and attitude of a ball-player, with ball-sticks in his hand, and tail, made of white horsehair, attached to his belt." 2. Red Man, Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 75 (Truettner, 1979, p. 165). Entry from Catlin's 1848 catalog reads, "We-chush-ta-doo-ta, the Red Man; the two [with He Who Stands on Both Sides] most distinguished ball-players of the Sioux tribe, in their ball-play dress, with their ball-sticks in their hands." 3. He Who Stands on Both Sides (Ah-no-je-nahge), Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 74 (Truettner, 1979, p. 165). See also plates 223, 235, and 236 in Manners, Customs and Condition of the North American Indians.
Description
false
|
Reproduction Rights Statement:
|
(c)University of Cincinnati Digital Press 1997
reproduction_rights_statement
(c)University of Cincinnati Digital Press 1997
Reproduction Rights Statement
false
|