COLLECTION NAME:
George Catlin: The Printed Works mediaCollectionId univcincin~25~25 George Catlin: The Printed Works Collection true
Record
Work Record ID:
683 work_record_id 683 Work Record ID false
Reproduction Record ID:
683 reproduction_record_id 683 Reproduction Record ID false
Work Class:
group portraits work_class group portraits Work Class false
Work Type:
print work_type print Work Type false
Title:
Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. title Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. Title false
Title Type:
collective title title_type collective title Title Type false
Title:
Ball Players. title Ball Players. Title false
Title Type:
inscribed title title_type inscribed title Title Type false
Measurements:
13.00 x 18.50 in (33.02 x 46.99 cm) on sheet ca. 17 x 23.5 in (43.2 x 59.7 cm) measurements 13.00 x 18.50 in (33.02 x 46.99 cm) on sheet ca. 17 x 23.5 in (43.2 x 59.7 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
rag paper material rag paper Material false
Material Type:
support material_type support Material Type false
Technique:
lithotint technique lithotint Technique false
Creator:
Catlin, George, 1796-1872 creator Catlin, George, 1796-1872 Creator false
Creator Dates:
1796-1872 creator_dates 1796-1872 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1875-1877 date 1875-1877 Date false
Location:
Fort Gibson (Okla.) location Fort Gibson (Okla.) Location false
Location Type:
creation site location_type creation site Location Type false
Location:
Fort Snelling (Minn.) location Fort Snelling (Minn.) Location false
Location Type:
creation site location_type creation site Location Type false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
21 id_number 21 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
74 id_number 74 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
ID Number:
75 id_number 75 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
ID Number:
299 id_number 299 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
ID Number:
ARB RB Oversize E77.C3 id_number ARB RB Oversize E77.C3 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
Style Period:
Art, American--19th century style_period Art, American--19th century Style Period false
Style Period:
realism style_period realism Style Period false
Culture:
American culture American Culture false
Subject:
Indians of North America--19th century subject Indians of North America--19th century Subject false
Subject:
Indians in art subject Indians in art Subject false
Subject:
Hairdressing subject Hairdressing Subject false
Subject:
Bracelets subject Bracelets Subject false
Subject:
Breechcloths subject Breechcloths Subject false
Subject:
Beadwork subject Beadwork Subject false
Subject:
Belts (Clothing) subject Belts (Clothing) Subject false
Subject:
Face painting subject Face painting Subject false
Subject:
Feathers subject Feathers Subject false
Subject:
Braids (Hairdressing) subject Braids (Hairdressing) Subject false
Subject:
Necklaces subject Necklaces Subject false
Subject:
Earrings subject Earrings Subject false
Subject:
Roaches (Hair) subject Roaches (Hair) Subject false
Subject:
Horsehair subject Horsehair Subject false
Subject:
Tacks subject Tacks Subject false
Subject:
Headdresses subject Headdresses Subject false
Subject:
Choctaw subject Choctaw Subject false
Subject:
He Who Drinks the Juice of the Stone (Tul-lock-chish-ko) subject He Who Drinks the Juice of the Stone (Tul-lock-chish-ko) Subject false
Subject:
Ball games subject Ball games Subject false
Subject:
Ball sticks subject Ball sticks Subject false
Subject:
Dakota (Santee) subject Dakota (Santee) Subject false
Subject:
He Who Stands on Both Sides (Ah-no-je-nahge) subject He Who Stands on Both Sides (Ah-no-je-nahge) Subject false
Subject:
Red Man (We-chush-ta-doo-ta) subject Red Man (We-chush-ta-doo-ta) Subject false
Related Work:
Catlin, George, 1796-1872. [Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. London: Chatto & Windus, 1875-1877.] related_work Catlin, George, 1796-1872. [Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America. London: Chatto & Windus, 1875-1877.] Related Work false
Relation Type:
larger entity relation_type larger entity Relation Type false
Description:
Described in Catlin's North American Indian Portfolio p. 15. Left to Right: 1. He Who Drinks the Juice of the Stone, Choctaw, painted at Fort Gibson in 1834, Gallery No. 299 (Truettner, 1979, p. 227). Entry from Catlin's 1848 catalog reads, "Tul-lock-chish-ko, Full-length, in the dress and attitude of a ball-player, with ball-sticks in his hand, and tail, made of white horsehair, attached to his belt." 2. Red Man, Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 75 (Truettner, 1979, p. 165). Entry from Catlin's 1848 catalog reads, "We-chush-ta-doo-ta, the Red Man; the two [with He Who Stands on Both Sides] most distinguished ball-players of the Sioux tribe, in their ball-play dress, with their ball-sticks in their hands." 3. He Who Stands on Both Sides (Ah-no-je-nahge), Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 74 (Truettner, 1979, p. 165). See also plates 223, 235, and 236 in Manners, Customs and Condition of the North American Indians. description Described in Catlin's North American Indian Portfolio p. 15. Left to Right: 1. He Who Drinks the Juice of the Stone, Choctaw, painted at Fort Gibson in 1834, Gallery No. 299 (Truettner, 1979, p. 227). Entry from Catlin's 1848 catalog reads, "Tul-lock-chish-ko, Full-length, in the dress and attitude of a ball-player, with ball-sticks in his hand, and tail, made of white horsehair, attached to his belt." 2. Red Man, Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 75 (Truettner, 1979, p. 165). Entry from Catlin's 1848 catalog reads, "We-chush-ta-doo-ta, the Red Man; the two [with He Who Stands on Both Sides] most distinguished ball-players of the Sioux tribe, in their ball-play dress, with their ball-sticks in their hands." 3. He Who Stands on Both Sides (Ah-no-je-nahge), Dakota (Santee), painted at Fort Snelling in 1835, Gallery No. 74 (Truettner, 1979, p. 165). See also plates 223, 235, and 236 in Manners, Customs and Condition of the North American Indians. Description false
Reproduction Rights Statement:
(c)University of Cincinnati Digital Press 1997 reproduction_rights_statement (c)University of Cincinnati Digital Press 1997 Reproduction Rights Statement false

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Ball Players.