Detail View: George Catlin: The Printed Works: Letters and Notes on the Manners, Customs, and Condition of the North American Indians.

Work Record ID: 
542
Reproduction Record ID: 
542
Work Class: 
landscapes (representations)
Work Type: 
print
Title: 
Ball-Play Dance, Choctaw
Title Type: 
preferred title
Title: 
Letters and Notes on the Manners, Customs, and Condition of the North American Indians.
Title Type: 
collective title
Measurements: 
4.70 x 6.65 in (11.94 x 16.89 cm)
Measurement Type: 
dimensions
Material: 
paper (fiber product)
Material Type: 
support
Technique: 
engraving (printing process)
Creator: 
Catlin, George, 1796-1872
Creator Dates: 
1796-1872
Creator Nationality: 
American
Creator Type: 
personal name
Creator Role: 
painter
Date: 
1842
Location: 
Fort Gibson (Okla.)
Location Type: 
creation site
Repository: 
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository Type: 
current repository
ID Number: 
224
ID Number Type: 
plate number
ID Number: 
427
ID Number Type: 
standard number
ID Number: 
ARB RB E77.C4 1842 v.2
ID Number Type: 
call number
Style Period: 
Art, American--19th century
Style Period: 
realism
Culture: 
American
Subject: 
Indians of North America--19th century
Subject: 
Indians in art
Subject: 
West (U.S.)--In art
Subject: 
Breechcloths
Subject: 
Beadwork
Subject: 
Belts (Clothing)
Subject: 
Shamans
Subject: 
Drums
Subject: 
Choctaw
Subject: 
Ball games
Subject: 
Ball sticks
Subject: 
Ball-play dance (Choctaw)
Subject: 
Drum sticks
Related Work: 
Catlin, George, 1796-1872. Letters and Notes on the Manners, Customs, and Condition of the North American Indians. Third Edition. London: Published for the Author by Tilt and Bogue, Fleet Street, 1842.
Relation Type: 
larger entity
Description: 
Described in Vol. II, pp. 125-126. Caption from Truettner catalog of Catlin's Indian Gallery. Entry from Catlin's 1848 catalog reads, "Ball-play Dance, Choctaw.--Men and women dance around their respective stakes, at intervals, during the night preceeding the play--four conjurors sit all night and smoke to the Great Spirit, at the point where the ball is to be started--and stakeholders guard the good staked." Originally sketched at Fort Gibson in 1834 and painted in the period 1834-1835 (Truettner, 1979, p. 264). See also plate 22 in Catlin's North American Indian Portfolio.
Reproduction Rights Statement: 
(c)University of Cincinnati Digital Press 1997
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