COLLECTION NAME:
McKenney and Hall: History of the Indian Tribes mediaCollectionId univcincin~24~24 McKenney and Hall: History of the Indian Tribes Collection true
Record
Work Record ID:
87 work_record_id 87 Work Record ID false
Reproduction Record ID:
87 reproduction_record_id 87 Reproduction Record ID false
Work Class:
portraits work_class portraits Work Class false
Work Type:
print work_type print Work Type false
Title:
History of the Indian Tribes of North America title History of the Indian Tribes of North America Title false
Title Type:
collective title title_type collective title Title Type false
Title:
A Chippeway widow title A Chippeway widow Title false
Title Type:
inscribed title title_type inscribed title Title Type false
Measurements:
14.60 x 9.25 in (37.08 x 23.50 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) measurements 14.60 x 9.25 in (37.08 x 23.50 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
rag paper material rag paper Material false
Material Type:
support material_type support Material Type false
Technique:
color lithograph technique color lithograph Technique false
Inscription:
image lower right: R.T. inscription image lower right: R.T. Inscription false
Inscription:
lower center: A-CHIPPEWAY-WIDOW / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a inscription lower center: A-CHIPPEWAY-WIDOW / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a Inscription false
Creator:
King, Charles Bird, 1785-1862 creator King, Charles Bird, 1785-1862 Creator false
Creator Dates:
1785-1862 creator_dates 1785-1862 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Inman, Henry, 1801-1846 creator Inman, Henry, 1801-1846 Creator false
Creator Dates:
1801-1846 creator_dates 1801-1846 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Lewis, James Otto, 1799-1858 creator Lewis, James Otto, 1799-1858 Creator false
Creator Dates:
1799-1858 creator_dates 1799-1858 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1838 date 1838 Date false
Location:
Fond du Lac (Minn.) location Fond du Lac (Minn.) Location false
Location Type:
creation site location_type creation site Location Type false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
ARB E77 .M13 Vol. 2 id_number ARB E77 .M13 Vol. 2 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
ID Number:
87 id_number 87 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
87 id_number 87 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
Style Period:
Art, American--19th century style_period Art, American--19th century Style Period false
Style Period:
realism style_period realism Style Period false
Culture:
American culture American Culture false
Subject:
Coats subject Coats Subject false
Subject:
Feathers subject Feathers Subject false
Subject:
Leggings subject Leggings Subject false
Subject:
Moccasins subject Moccasins Subject false
Subject:
Indians of North America--19th century subject Indians of North America--19th century Subject false
Subject:
Indians in art subject Indians in art Subject false
Subject:
Ruffles subject Ruffles Subject false
Subject:
Ojibwa subject Ojibwa Subject false
Subject:
Fond du Lac, Treaty of (1826) subject Fond du Lac, Treaty of (1826) Subject false
Subject:
Headdresses subject Headdresses Subject false
Subject:
Fringe subject Fringe Subject false
Subject:
Blouses subject Blouses Subject false
Subject:
Skirts subject Skirts Subject false
Subject:
Woman That Spoke First (Ta-ma-kake-toke) subject Woman That Spoke First (Ta-ma-kake-toke) Subject false
Subject:
Mourning customs subject Mourning customs Subject false
Related Work:
McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. related_work McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. Related Work false
Relation Type:
larger entity relation_type larger entity Relation Type false
Description:
ART WORKS Plate 64 of The Aboriginal Port-Folio (1835-3838) indicates that the original was painted by James Otto Lewis (1799-1858) at the Treaty of Fond du Lac, held at Fond du Lac (Minn.) in 1826. Location of original unknown. Horan (Horan, 1986, p. 234) indicates the Lewis original was later copied by Charles Bird King (1785-1862) in Washington, D.C. Cosentino does not list a copy. A portrait with a similar title is listed as No. 142 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "TOMA-HAKE-TAKE, The warrior who speaks first (1826)" (Viola, 1976, p. 145). This painting was destroyed in the Smithsonian fire of 1865. A painting by Henry Inman (1801-1846) after Lewis, entitled "A Widow with "Husband". Chippewa. (Also known as: The Chippewa Widow.)", formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28230) is in the Minnesota Historical Society (MHS No.: AV1983.360.3). description ART WORKS Plate 64 of The Aboriginal Port-Folio (1835-3838) indicates that the original was painted by James Otto Lewis (1799-1858) at the Treaty of Fond du Lac, held at Fond du Lac (Minn.) in 1826. Location of original unknown. Horan (Horan, 1986, p. 234) indicates the Lewis original was later copied by Charles Bird King (1785-1862) in Washington, D.C. Cosentino does not list a copy. A portrait with a similar title is listed as No. 142 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "TOMA-HAKE-TAKE, The warrior who speaks first (1826)" (Viola, 1976, p. 145). This painting was destroyed in the Smithsonian fire of 1865. A painting by Henry Inman (1801-1846) after Lewis, entitled "A Widow with "Husband". Chippewa. (Also known as: The Chippewa Widow.)", formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28230) is in the Minnesota Historical Society (MHS No.: AV1983.360.3). Description false
Description:
PRINTS A lithograph based on the Lewis painting appears only in the Philadelphia, 1835-1838 edition of The Aboriginal Port-Folio. (Reese: 63) A lithograph based on the Lewis painting appears as Plate 16, entitled "Chippeway Widow", in McKenney, Thomas Loraine, 1785-1859. Sketches of a Tour to the Lakes, of the Character and Customs of the Chippeway Indians, and of Incidents Connected with the Treaty of Fond du Lac. Baltimore: F. Lucas, Jr., 1827. Lithographs based on the Inman copy appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America with the title "A Chippeway Widow": Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. Philadelphia: D. Rice & Co., 187_. description PRINTS A lithograph based on the Lewis painting appears only in the Philadelphia, 1835-1838 edition of The Aboriginal Port-Folio. (Reese: 63) A lithograph based on the Lewis painting appears as Plate 16, entitled "Chippeway Widow", in McKenney, Thomas Loraine, 1785-1859. Sketches of a Tour to the Lakes, of the Character and Customs of the Chippeway Indians, and of Incidents Connected with the Treaty of Fond du Lac. Baltimore: F. Lucas, Jr., 1827. Lithographs based on the Inman copy appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America with the title "A Chippeway Widow": Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. Philadelphia: D. Rice & Co., 187_. Description false
Description:
REFERENCES Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 234-235. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 38, p. 13. McKenney, Thomas Loraine, 1785-1859. Sketches of a Tour to the Lakes, of the Character and Customs of the Chippeway Indians, and of Incidents Connected with the Treaty of Fond du Lac. Baltimore: F. Lucas, Jr., 1827. Plate 16. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. p. 145. description REFERENCES Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 234-235. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 38, p. 13. McKenney, Thomas Loraine, 1785-1859. Sketches of a Tour to the Lakes, of the Character and Customs of the Chippeway Indians, and of Incidents Connected with the Treaty of Fond du Lac. Baltimore: F. Lucas, Jr., 1827. Plate 16. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. p. 145. Description false
Information Source:
Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "R.T." image lower right. [Ralph Tremblay] information_source Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "R.T." image lower right. [Ralph Tremblay] Information Source false
Reproduction Rights Statement:
(c) University of Cincinnati Digital Press, 2001 reproduction_rights_statement (c) University of Cincinnati Digital Press, 2001 Reproduction Rights Statement false

A Chippeway widow

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A Chippeway widow