Ma-ka-tai-me-she-kia-kiah or Black Hawk, a Saukie brave
title
Ma-ka-tai-me-she-kia-kiah or Black Hawk, a Saukie brave
Title
false
Title Type:
inscribed title
title_type
inscribed title
Title Type
false
Measurements:
13.00 x 8.50 in (33.02 x 21.59 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm)
measurements
13.00 x 8.50 in (33.02 x 21.59 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm)
Measurements
false
Measurement Type:
dimensions
measurement_type
dimensions
Measurement Type
false
Material:
rag paper
material
rag paper
Material
false
Material Type:
support
material_type
support
Material Type
false
Technique:
color lithograph
technique
color lithograph
Technique
false
Inscription:
image lower right: A.H.
inscription
image lower right: A.H.
Inscription
false
Inscription:
lower center: MA-KA-TAI-ME-SHE-KIA-KIAH / or / BLACK HAWK A SAUKIE BRAVE / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a
inscription
lower center: MA-KA-TAI-ME-SHE-KIA-KIAH / or / BLACK HAWK A SAUKIE BRAVE / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a
Inscription
false
Creator:
King, Charles Bird, 1785-1862
creator
King, Charles Bird, 1785-1862
Creator
false
Creator Dates:
1785-1862
creator_dates
1785-1862
Creator Dates
false
Creator Nationality:
American
creator_nationality
American
Creator Nationality
false
Creator Type:
personal name
creator_type
personal name
Creator Type
false
Creator Role:
painter
creator_role
painter
Creator Role
false
Date:
1838
date
1838
Date
false
Location:
Washington (D.C.)
location
Washington (D.C.)
Location
false
Location Type:
creation site
location_type
creation site
Location Type
false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
repository
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
Repository
false
Repository Type:
current repository
repository_type
current repository
Repository Type
false
ID Number:
ARB E77 .M13 Vol. 2
id_number
ARB E77 .M13 Vol. 2
ID Number
false
ID Number Type:
call number
id_number_type
call number
ID Number Type
false
ID Number:
55
id_number
55
ID Number
false
ID Number Type:
plate number
id_number_type
plate number
ID Number Type
false
ID Number:
55
id_number
55
ID Number
false
ID Number Type:
standard number
id_number_type
standard number
ID Number Type
false
Style Period:
Art, American--19th century
style_period
Art, American--19th century
Style Period
false
Style Period:
realism
style_period
realism
Style Period
false
Culture:
American
culture
American
Culture
false
Subject:
Sauk (Osakiwug)
subject
Sauk (Osakiwug)
Subject
false
Subject:
Earrings
subject
Earrings
Subject
false
Subject:
Necklaces
subject
Necklaces
Subject
false
Subject:
Ribbons
subject
Ribbons
Subject
false
Subject:
Roaches (Hair)
subject
Roaches (Hair)
Subject
false
Subject:
Trade silver
subject
Trade silver
Subject
false
Subject:
Indians of North America--19th century
subject
Indians of North America--19th century
Subject
false
Subject:
Indians in art
subject
Indians in art
Subject
false
Subject:
Peace medals
subject
Peace medals
Subject
false
Subject:
Shirts, Men's
subject
Shirts, Men's
Subject
false
Subject:
Blankets
subject
Blankets
Subject
false
Subject:
Trade bead necklaces
subject
Trade bead necklaces
Subject
false
Subject:
Wampum
subject
Wampum
Subject
false
Subject:
Black Hawk (Muk-a-tah-mish-o-kah-kaik), 1767-1838
subject
Black Hawk (Muk-a-tah-mish-o-kah-kaik), 1767-1838
Subject
false
Related Work:
McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844.
related_work
McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844.
Related Work
false
Relation Type:
larger entity
relation_type
larger entity
Relation Type
false
Description:
ART WORKS Two portraits of Black Hawk by Charles Bird King (1785-1862), painted in Washington (D.C.) are identified by Cosentino. The first (Cosentino: 364), painted in 1837, is listed as No. 133 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "MUCH-A-TAI-ME-SHE-KA-KAIK, Black Hawk (King, 1837.)" (Viola, 1976, p. 145) and was destroyed in the Smithsonian fire of 1865. The second (Cosentino: 365), painted ca. 1833, formerly in the Redwood Library & Athenaeum, Newport, Rhode Island, was sold in 1970 and is in the Warner Collection, Gulf States Paper Corporation, Tuscaloosa, Alabama. George Catlin (1796-1872) painted Black Hawk in 1832 at Jefferson Barracks (Truettner Gallery No. 2) (Truettner, 1979, pp. 23, 143-144). James Otto Lewis (1799-1858) painted Black Hawk at Detroit (Mich.) in 1833. Portraits of Black Hawk from life were also painted by James W. Ford, John Wesley Jarvis (1780-1840), Lampher after James Reid Lambdin (1807-1889), Robert Matthew Sully (1803-1855), and Isaac Augustus Wetherby (1819-1904). (See Smithsonian Art Inventories.)
description
ART WORKS Two portraits of Black Hawk by Charles Bird King (1785-1862), painted in Washington (D.C.) are identified by Cosentino. The first (Cosentino: 364), painted in 1837, is listed as No. 133 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "MUCH-A-TAI-ME-SHE-KA-KAIK, Black Hawk (King, 1837.)" (Viola, 1976, p. 145) and was destroyed in the Smithsonian fire of 1865. The second (Cosentino: 365), painted ca. 1833, formerly in the Redwood Library & Athenaeum, Newport, Rhode Island, was sold in 1970 and is in the Warner Collection, Gulf States Paper Corporation, Tuscaloosa, Alabama. George Catlin (1796-1872) painted Black Hawk in 1832 at Jefferson Barracks (Truettner Gallery No. 2) (Truettner, 1979, pp. 23, 143-144). James Otto Lewis (1799-1858) painted Black Hawk at Detroit (Mich.) in 1833. Portraits of Black Hawk from life were also painted by James W. Ford, John Wesley Jarvis (1780-1840), Lampher after James Reid Lambdin (1807-1889), Robert Matthew Sully (1803-1855), and Isaac Augustus Wetherby (1819-1904). (See Smithsonian Art Inventories.)
Description
false
Description:
PRINTS Lithographs based on the Lewis portrait appear in all five editions of The Aboriginal Port-Folio. (Reese: 50) Lithographs based on the King portrait of 1837 (Cosentino: 364) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850.
description
PRINTS Lithographs based on the Lewis portrait appear in all five editions of The Aboriginal Port-Folio. (Reese: 50) Lithographs based on the King portrait of 1837 (Cosentino: 364) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850.
Description
false
Description:
REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 172. Nos. 364-365. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 168-169. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 17, pp. 9-10; No. 72, p. 19. Parke-Bernet Galleries, Inc. The Important Collection of Twenty-One Portraits of North American Indians, by Charles Bird King. Property of the Redwood Library and Athenaeum, Newport, Rhode Island. Sold by Order of the Board of Directors. New York: Parke-Bernet Galleries, Inc., 1970. pp. xiv, 30-31. Smithsonian Institution Art Inventories. Painting Inventory. 47370088 - Redwood Library & Athenaeum - Unlocated 55730028 - Sully - Virginia Historical Society 61290004 - Ford, J.W. - Virginia State Library 61505051 - Parke-Bernet Galleries - Unlocated 70510282 - Ford, J.W. - Commonwealth of Virginia 81881156 - Jarvis - Thomas Gilcrease Institute of American History & Art 81900016 - Lampher after Lambdin - Evanston Historical Society 83510049 - Ford, J.W. - State Capitol, Richmond, Virginia 83510050 - Ford, J.W. - Virginia Historical Society 83510051 - Ford, J.W. - Valentine Museum, Richmond, Virginia 83980283 - Gulf States Paper Corporation 83980284 - Destroyed 84150030 - Wetherby - Putnam Museum, Davenport, Iowa Truettner, William H. The Natural Man Observed: A Study of Catlin's Indian Gallery. Washington, D.C.: Smithsonian Institution Press, 1979. pp. 23, 143-144. Truettner Gallery No. 2. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 14, 88, 90, 92, 93, 101, 106, 108, 109, 112, 122, 138. 145.
description
REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 172. Nos. 364-365. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 168-169. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 17, pp. 9-10; No. 72, p. 19. Parke-Bernet Galleries, Inc. The Important Collection of Twenty-One Portraits of North American Indians, by Charles Bird King. Property of the Redwood Library and Athenaeum, Newport, Rhode Island. Sold by Order of the Board of Directors. New York: Parke-Bernet Galleries, Inc., 1970. pp. xiv, 30-31. Smithsonian Institution Art Inventories. Painting Inventory. 47370088 - Redwood Library & Athenaeum - Unlocated 55730028 - Sully - Virginia Historical Society 61290004 - Ford, J.W. - Virginia State Library 61505051 - Parke-Bernet Galleries - Unlocated 70510282 - Ford, J.W. - Commonwealth of Virginia 81881156 - Jarvis - Thomas Gilcrease Institute of American History & Art 81900016 - Lampher after Lambdin - Evanston Historical Society 83510049 - Ford, J.W. - State Capitol, Richmond, Virginia 83510050 - Ford, J.W. - Virginia Historical Society 83510051 - Ford, J.W. - Valentine Museum, Richmond, Virginia 83980283 - Gulf States Paper Corporation 83980284 - Destroyed 84150030 - Wetherby - Putnam Museum, Davenport, Iowa Truettner, William H. The Natural Man Observed: A Study of Catlin's Indian Gallery. Washington, D.C.: Smithsonian Institution Press, 1979. pp. 23, 143-144. Truettner Gallery No. 2. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 14, 88, 90, 92, 93, 101, 106, 108, 109, 112, 122, 138. 145.
Description
false
Information Source:
Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "A.H." image lower right. [Alfred Hoffy]
information_source
Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "A.H." image lower right. [Alfred Hoffy]
Information Source
false
Reproduction Rights Statement:
(c) University of Cincinnati Digital Press, 2001
reproduction_rights_statement
(c) University of Cincinnati Digital Press, 2001
Reproduction Rights Statement
false
Ma-ka-tai-me-she-kia-kiah or Black Hawk, a Saukie brave