COLLECTION NAME:
C. Szwedzicki: The North American Indian Works mediaCollectionId univcincin~28~28 C. Szwedzicki: The North American Indian Works Collection true
Record
Work Record ID:
333 work_record_id 333 Work Record ID false
Reproduction Record ID:
333 reproduction_record_id 333 Reproduction Record ID false
Work Class:
portraits work_class portraits Work Class false
Work Type:
print work_type print Work Type false
Title:
North American Indian Costumes: (1564-1950) title North American Indian Costumes: (1564-1950) Title false
Title Type:
collective title title_type collective title Title Type false
Title:
IOWA 1840 title IOWA 1840 Title false
Title Type:
constructed title title_type constructed title Title Type false
Measurements:
12.15 x 5.70 in (30.86 x 14.48 cm) on sheet 17.55 x 12.50 in (44.58 x 31.75 cm) measurements 12.15 x 5.70 in (30.86 x 14.48 cm) on sheet 17.55 x 12.50 in (44.58 x 31.75 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
paper (fiber product) material paper (fiber product) Material false
Material Type:
support material_type support Material Type false
Inscription:
Below Image Right: IOWA 1840 inscription Below Image Right: IOWA 1840 Inscription false
Inscription:
Above Image Right: PLATE 19 inscription Above Image Right: PLATE 19 Inscription false
Creator:
Howe, Oscar, 1915-1983 creator Howe, Oscar, 1915-1983 Creator false
Creator Dates:
1915-1983 creator_dates 1915-1983 Creator Dates false
Creator Nationality:
Nakota (Yankton) // Apache (Inde) creator_nationality Nakota (Yankton) // Apache (Inde) Creator Nationality false
Creator Name Variant:
Trader Boy (Mazuha Hokshina) creator_name_variant Trader Boy (Mazuha Hokshina) Creator Name Variant false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
illustrator creator_role illustrator Creator Role false
Creator:
King, Charles Bird, 1785-1862 creator King, Charles Bird, 1785-1862 Creator false
Creator Dates:
1785-1862 creator_dates 1785-1862 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Inman, Henry, 1801-1846 creator Inman, Henry, 1801-1846 Creator false
Creator Dates:
1801-1846 creator_dates 1801-1846 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1952 date 1952 Date false
Location:
Washington (D.C.) location Washington (D.C.) Location false
Repository:
Art & Music Department, Public Library of Cincinnati & Hamilton County, Cincinnati, Ohio repository Art & Music Department, Public Library of Cincinnati & Hamilton County, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
19 id_number 19 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
R391 ffJ17 Vol. 1 id_number R391 ffJ17 Vol. 1 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
Style Period:
Plains Indian style_period Plains Indian Style Period false
Style Period:
Indian art--North America style_period Indian art--North America Style Period false
Culture:
Native American culture Native American Culture false
Culture:
Nakota (Yankton) culture Nakota (Yankton) Culture false
Culture:
Sauk (Osakiwug) culture Sauk (Osakiwug) Culture false
Culture:
Iowa (Pahodja) culture Iowa (Pahodja) Culture false
Subject:
Breechcloths subject Breechcloths Subject false
Subject:
Feathers subject Feathers Subject false
Subject:
Fringe subject Fringe Subject false
Subject:
Garters subject Garters Subject false
Subject:
Leggings subject Leggings Subject false
Subject:
Moccasins subject Moccasins Subject false
Subject:
Armbands subject Armbands Subject false
Subject:
Beadwork subject Beadwork Subject false
Subject:
Lances subject Lances Subject false
Subject:
Necklaces subject Necklaces Subject false
Subject:
Ribbons subject Ribbons Subject false
Subject:
Grizzly claw necklaces subject Grizzly claw necklaces Subject false
Subject:
Headdresses subject Headdresses Subject false
Subject:
Blankets subject Blankets Subject false
Subject:
Hides and skins subject Hides and skins Subject false
Subject:
Lewis, Meriwether, 1774-1809 subject Lewis, Meriwether, 1774-1809 Subject false
Subject:
Trade silver subject Trade silver Subject false
Subject:
Bracelets subject Bracelets Subject false
Subject:
Mantles (Clothing) subject Mantles (Clothing) Subject false
Subject:
Keokuk, ca. 1780-1848 subject Keokuk, ca. 1780-1848 Subject false
Subject:
Peace medals subject Peace medals Subject false
Subject:
Inman, Henry, 1801-1846 subject Inman, Henry, 1801-1846 Subject false
Subject:
King, Charles Bird, 1785-1862 subject King, Charles Bird, 1785-1862 Subject false
Subject:
Andre, Father, 1623-1715 subject Andre, Father, 1623-1715 Subject false
Subject:
La Salle, Rene Robert Cavelier, sieur de, 1643-1687 subject La Salle, Rene Robert Cavelier, sieur de, 1643-1687 Subject false
Subject:
Brass bells subject Brass bells Subject false
Subject:
Hides and skins--Bison, American (White) subject Hides and skins--Bison, American (White) Subject false
Related Work:
Jacobson, Oscar Brousse, 1882-1966. North American Indian Costumes: (1564-1950) / Illustrations by Oscar Howe. Nice (France): C. Szwedzicki, 1952. related_work Jacobson, Oscar Brousse, 1882-1966. North American Indian Costumes: (1564-1950) / Illustrations by Oscar Howe. Nice (France): C. Szwedzicki, 1952. Related Work false
Description:
Excerpt from North American Indian Costumes, Vol. 1, p. 16: The Iowas are now an almost extinct tribe. They belong to the Sioux family and probably sprang from the Winnebago linguistic branch of that family. They are closely related to the Otos, Missouris, and Poncas. All seem to have come from their ancient home north of the Great Lakes. The Iowas experienced many vicissitudes and wandered far afield, for they are reported in different localities by Father Andre in 1676, La Salle in 1682, Lewis and Clark in 1804, and others. Father Andre says that they were very poor, their greatest wealth consisting of "ox hides and red calumets". Their traditions place them for a time near the Red stone quarries in Minnesota, and they appear to have manufactured and traded peace pipes early. Le Sueur invited the neighbouring Iowas to settle around Fort l'Huillier when he built it, in 1701, in Minnesota because they were industrious and accustomed to cultivate the earthy. They also trapped and supplied the traders with skins of bear, deer, beaver, racoon and otter. In 1824, they ceded their lands on the Missouri and later moved to Kansas, eventually settling on a reservation in Oklahoma. In religion, habits and customs, they differ little from the other Winnebago tribes. Like other Plains Indians who had built no immunity against it, they suffered heavy losses from smallpox brought into the country by the Whites. The Iowa costume illustrated here is made up of various elements of Indian and white origin. Indian chiefs took great pride in the large coins and medals presented them by white officials and they wore them as ornaments and as badges of honor. description Excerpt from North American Indian Costumes, Vol. 1, p. 16: The Iowas are now an almost extinct tribe. They belong to the Sioux family and probably sprang from the Winnebago linguistic branch of that family. They are closely related to the Otos, Missouris, and Poncas. All seem to have come from their ancient home north of the Great Lakes. The Iowas experienced many vicissitudes and wandered far afield, for they are reported in different localities by Father Andre in 1676, La Salle in 1682, Lewis and Clark in 1804, and others. Father Andre says that they were very poor, their greatest wealth consisting of "ox hides and red calumets". Their traditions place them for a time near the Red stone quarries in Minnesota, and they appear to have manufactured and traded peace pipes early. Le Sueur invited the neighbouring Iowas to settle around Fort l'Huillier when he built it, in 1701, in Minnesota because they were industrious and accustomed to cultivate the earthy. They also trapped and supplied the traders with skins of bear, deer, beaver, racoon and otter. In 1824, they ceded their lands on the Missouri and later moved to Kansas, eventually settling on a reservation in Oklahoma. In religion, habits and customs, they differ little from the other Winnebago tribes. Like other Plains Indians who had built no immunity against it, they suffered heavy losses from smallpox brought into the country by the Whites. The Iowa costume illustrated here is made up of various elements of Indian and white origin. Indian chiefs took great pride in the large coins and medals presented them by white officials and they wore them as ornaments and as badges of honor. Description false
Description:
Map references: Washington (D.C.) Text references: North American Indian Costumes, Vol. 1, pp. 9, 16. References: This print is based on a portrait of Keokuk and his son painted by Charles Bird King (1785-1862) in Washington (D.C.) in 1827. Keokuk was a Sauk (Osakiwug). Lithographs based on the King portrait of Keokuk and his son (Cosentino: 353) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. James Otto Lewis (1799-1858) painted a full-length portrait of Keokuk at the Treaty of Prairie du Chien, held at Prairie du Chien (Wis.) in 1825 (Lewis, 1850, p. 8). A full-length portrait of Keokuk by Inman after Lewis, formerly in the Peabody Museum of Archeology and Ethnology, Harvard University, (Peabody No. 82-51-10\28287) is listed in the D. Harold Byrd, Jr. Collection in 1983 (Viola, 1983, Plate 32). George Catlin (1796-1872) painted portraits of Keokuk at the Sauk and Fox Village (Iowa) in 1835 (Truettner Gallery No. 1) (Truettner, 1979, pp. 31, 34, 142-143). Peter Rindisbacher (1806-1834) painted a watercolor portrait of Keokuk in 1829 which is in the collection of the West Point Museum (Acc. No.: 552). Thomas Martin Easterly (1809-1882) made Daguerreotype portraits of Keokuk in 1847. These images are in the Missouri Historical Society, Newberry Library, and Smithsonian Institution (Kilgo, 1994, pp. 119-141). For Daguerreotype portraits of Keokuk and his son by Thomas Easterly, see Kilgo, 1994, pp. 119, 126, 127. description Map references: Washington (D.C.) Text references: North American Indian Costumes, Vol. 1, pp. 9, 16. References: This print is based on a portrait of Keokuk and his son painted by Charles Bird King (1785-1862) in Washington (D.C.) in 1827. Keokuk was a Sauk (Osakiwug). Lithographs based on the King portrait of Keokuk and his son (Cosentino: 353) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. James Otto Lewis (1799-1858) painted a full-length portrait of Keokuk at the Treaty of Prairie du Chien, held at Prairie du Chien (Wis.) in 1825 (Lewis, 1850, p. 8). A full-length portrait of Keokuk by Inman after Lewis, formerly in the Peabody Museum of Archeology and Ethnology, Harvard University, (Peabody No. 82-51-10\28287) is listed in the D. Harold Byrd, Jr. Collection in 1983 (Viola, 1983, Plate 32). George Catlin (1796-1872) painted portraits of Keokuk at the Sauk and Fox Village (Iowa) in 1835 (Truettner Gallery No. 1) (Truettner, 1979, pp. 31, 34, 142-143). Peter Rindisbacher (1806-1834) painted a watercolor portrait of Keokuk in 1829 which is in the collection of the West Point Museum (Acc. No.: 552). Thomas Martin Easterly (1809-1882) made Daguerreotype portraits of Keokuk in 1847. These images are in the Missouri Historical Society, Newberry Library, and Smithsonian Institution (Kilgo, 1994, pp. 119-141). For Daguerreotype portraits of Keokuk and his son by Thomas Easterly, see Kilgo, 1994, pp. 119, 126, 127. Description false
Reproduction Rights Statement:
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje… reproduction_rights_statement These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/. Reproduction Rights Statement false

IOWA 1840

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IOWA 1840