COLLECTION NAME:
C. Szwedzicki: The North American Indian Works mediaCollectionId univcincin~28~28 C. Szwedzicki: The North American Indian Works Collection true
Record
Work Record ID:
250 work_record_id 250 Work Record ID false
Reproduction Record ID:
250 reproduction_record_id 250 Reproduction Record ID false
Work Class:
depictions work_class depictions Work Class false
Work Type:
print work_type print Work Type false
Title:
Les peintres indiens d'Amérique title Les peintres indiens d'Amérique Title false
Title Type:
collective title title_type collective title Title Type false
Title:
American Indian painters title American Indian painters Title false
Title Type:
alternate title_type alternate Title Type false
Title:
The Newlyweds title The Newlyweds Title false
Title Type:
constructed title title_type constructed title Title Type false
Measurements:
11.25 x 6.85 in (28.58 x 17.40 cm) on sheet 17.60 x 12.50 in (44.70 x 31.75 cm) measurements 11.25 x 6.85 in (28.58 x 17.40 cm) on sheet 17.60 x 12.50 in (44.70 x 31.75 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
paper (fiber product) material paper (fiber product) Material false
Material Type:
support material_type support Material Type false
Inscription:
Bottom Image Center: AUCHIAH 24 inscription Bottom Image Center: AUCHIAH 24 Inscription false
Inscription:
Above Image Right: PLANCHE 14 [Plate Number] inscription Above Image Right: PLANCHE 14 [Plate Number] Inscription false
Creator:
Auchiah, James, 1906-1974 creator Auchiah, James, 1906-1974 Creator false
Creator Dates:
1906-1974 creator_dates 1906-1974 Creator Dates false
Creator Nationality:
Kiowa (Tepkinago) creator_nationality Kiowa (Tepkinago) Creator Nationality false
Creator Name Variant:
Looking into Lodge creator_name_variant Looking into Lodge Creator Name Variant false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1950 date 1950 Date false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
14 id_number 14 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
ARB RB Oversize E98.A7 J18 1950 Vol. 1 id_number ARB RB Oversize E98.A7 J18 1950 Vol. 1 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
Style Period:
Plains Indian style_period Plains Indian Style Period false
Style Period:
Indian art--North America style_period Indian art--North America Style Period false
Culture:
Kiowa (Tepkinago) culture Kiowa (Tepkinago) Culture false
Culture:
Native American culture Native American Culture false
Subject:
Braids (Hairdressing) subject Braids (Hairdressing) Subject false
Subject:
Breechcloths subject Breechcloths Subject false
Subject:
Dresses subject Dresses Subject false
Subject:
Face painting subject Face painting Subject false
Subject:
Feathers subject Feathers Subject false
Subject:
Fringe subject Fringe Subject false
Subject:
Moccasins subject Moccasins Subject false
Subject:
Beadwork subject Beadwork Subject false
Subject:
Necklaces subject Necklaces Subject false
Subject:
Cuffs (Clothing) subject Cuffs (Clothing) Subject false
Subject:
Rosettes subject Rosettes Subject false
Subject:
Blankets subject Blankets Subject false
Subject:
Earrings subject Earrings Subject false
Subject:
Chokers subject Chokers Subject false
Subject:
Body-marking subject Body-marking Subject false
Subject:
Wit and humor subject Wit and humor Subject false
Related Work:
Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950. related_work Jacobson, Oscar Brousse, 1882-1966. Les peintres indiens d'Amérique / [par] O. B. Jacobson [et] Jeanne d'Ucel. Nice (France): C. Szwedzicki, 1950. Related Work false
Description:
From: American Indian Painters, Vol. 1, p. 14: James Auchiah's ancestors were an interesting lot. His grandfather was the famous chief, Satanta, who gave the United States government a merry chase. He was considered one of the most daring warriors in the old Kiowa tribe. Another was Red Tipi, famous as a medicine man and an artist. His father was known as an athlete and soldier of the Seventh U.S. Cavalry. Auchiah is extraordinarily proud of his ancestors. He once courageously informed us "that it is no doubt this hereditary strain which made it possible for me to reach the top in the art world." But then, Auchiah is an Indian of the vast Plains! Auchiah was born in 1906. He early joined the first Kiowa artists under our supervision and attended informally the University of Oklahoma as a special student. Later he received some instruction in fresco painting. During the early 30s, his work was widely exhibited in the United States. His paintings have found homes in many private collections and his murals are in the Federal Building at Anadarko, Muskogee Post Office, the Department of the Interior Building in Washington, D.C., etc. During the war he was in the Coast Guard, stationed in Florida. He created a sensation in the local press by unravelling some mysterious inscriptions on the walls of the ancient Castello (fort) where his grandfather, Satanta, had been imprisoned for a while during the Indian wars of 1860-70. Auchiah deciphered his grandfather's pictographs on the walls. They proved to be nostalgic records of ceremonial and tribal life. In his work one often notices a certain element of sarcastic humor. It is subtle and refined, never blatant and vulgar. Sometimes he pictures more tender sentiments, even grief. "The Newlyweds" is in Auchiah's usual manner when in a jolly mood. The smug, slightly selfish demeanor of the bride and the open adoration, mixed with awe and pride of possession, of the swain are self-evident. Collection Oscar Brousse Jacobson) Bottom Image Center: AUCHIAH 24 Above Image Right: PLANCHE 14 [Plate Number] description From: American Indian Painters, Vol. 1, p. 14: James Auchiah's ancestors were an interesting lot. His grandfather was the famous chief, Satanta, who gave the United States government a merry chase. He was considered one of the most daring warriors in the old Kiowa tribe. Another was Red Tipi, famous as a medicine man and an artist. His father was known as an athlete and soldier of the Seventh U.S. Cavalry. Auchiah is extraordinarily proud of his ancestors. He once courageously informed us "that it is no doubt this hereditary strain which made it possible for me to reach the top in the art world." But then, Auchiah is an Indian of the vast Plains! Auchiah was born in 1906. He early joined the first Kiowa artists under our supervision and attended informally the University of Oklahoma as a special student. Later he received some instruction in fresco painting. During the early 30s, his work was widely exhibited in the United States. His paintings have found homes in many private collections and his murals are in the Federal Building at Anadarko, Muskogee Post Office, the Department of the Interior Building in Washington, D.C., etc. During the war he was in the Coast Guard, stationed in Florida. He created a sensation in the local press by unravelling some mysterious inscriptions on the walls of the ancient Castello (fort) where his grandfather, Satanta, had been imprisoned for a while during the Indian wars of 1860-70. Auchiah deciphered his grandfather's pictographs on the walls. They proved to be nostalgic records of ceremonial and tribal life. In his work one often notices a certain element of sarcastic humor. It is subtle and refined, never blatant and vulgar. Sometimes he pictures more tender sentiments, even grief. "The Newlyweds" is in Auchiah's usual manner when in a jolly mood. The smug, slightly selfish demeanor of the bride and the open adoration, mixed with awe and pride of possession, of the swain are self-evident. Collection Oscar Brousse Jacobson) Bottom Image Center: AUCHIAH 24 Above Image Right: PLANCHE 14 [Plate Number] Description false
Reproduction Rights Statement:
These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalproje… reproduction_rights_statement These images are for non-profit, educational use. For more information see Fair Use statement at https://digitalprojects.libraries.uc.edu/fairuse/. Reproduction Rights Statement false

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The Newlyweds