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George Catlin: The Printed Works
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George Catlin: The Printed Works
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69
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69
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Work Class:
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scenes (depictions)
work_class
scenes (depictions)
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Work Type:
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print
work_type
print
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Title:
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The Manners, Customs, and Condition of the North American Indians.
title
The Manners, Customs, and Condition of the North American Indians.
Title
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Title Type:
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collective title
title_type
collective title
Title Type
false
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Title:
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Bull Dance, Mandan O-kee-pa ceremony
title
Bull Dance, Mandan O-kee-pa ceremony
Title
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Title Type:
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preferred title
title_type
preferred title
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Measurements:
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4.85 x 6.70 in (12.32 x 17.01 cm)
measurements
4.85 x 6.70 in (12.32 x 17.01 cm)
Measurements
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Measurement Type:
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dimensions
measurement_type
dimensions
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Material:
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paper (fiber product)
material
paper (fiber product)
Material
false
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Material Type:
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support
material_type
support
Material Type
false
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Technique:
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chromolithograph
technique
chromolithograph
Technique
false
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Creator:
|
Catlin, George, 1796-1872
creator
Catlin, George, 1796-1872
Creator
false
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Creator Dates:
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1796-1872
creator_dates
1796-1872
Creator Dates
false
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Creator Nationality:
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American
creator_nationality
American
Creator Nationality
false
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Creator Type:
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personal name
creator_type
personal name
Creator Type
false
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Creator Role:
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painter
creator_role
painter
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false
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Date:
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1841
|
Date:
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1892
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Date Type:
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facsimile
date_type
facsimile
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false
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Location:
|
Mandan Village (N.D.)
location
Mandan Village (N.D.)
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Location Type:
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creation site
location_type
creation site
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false
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Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
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current repository
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ID Number:
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ARB RB E77.C4 v.1
id_number
ARB RB E77.C4 v.1
ID Number
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ID Number Type:
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call number
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ID Number:
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67
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67
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ID Number Type:
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plate number
id_number_type
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ID Number Type
false
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ID Number:
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505
id_number
505
ID Number
false
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ID Number Type:
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standard number
id_number_type
standard number
ID Number Type
false
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Style Period:
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Art, American--19th century
style_period
Art, American--19th century
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Style Period:
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realism
style_period
realism
Style Period
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Culture:
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American
culture
American
Culture
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Subject:
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Mandan (Numakaki)
subject
Mandan (Numakaki)
Subject
false
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Subject:
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Indians of North America--19th century
subject
Indians of North America--19th century
Subject
false
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Subject:
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Indians in art
subject
Indians in art
Subject
false
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Subject:
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Body painting
subject
Body painting
Subject
false
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Subject:
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Shamans
subject
Shamans
Subject
false
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Subject:
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Hides and skins--Bison, American
subject
Hides and skins--Bison, American
Subject
false
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Subject:
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Costumes
subject
Costumes
Subject
false
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Subject:
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Hides and skins--Bears
subject
Hides and skins--Bears
Subject
false
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Subject:
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Masks
subject
Masks
Subject
false
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Subject:
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Earthlodges
subject
Earthlodges
Subject
false
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Subject:
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Votive offerings
subject
Votive offerings
Subject
false
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Subject:
|
Drums
subject
Drums
Subject
false
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Subject:
|
O-kee-pa (Religious ceremony)
subject
O-kee-pa (Religious ceremony)
Subject
false
|
Subject:
|
Rattles
subject
Rattles
Subject
false
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Subject:
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Willows
subject
Willows
Subject
false
|
Subject:
|
Bull dance (O-kee-pa)
subject
Bull dance (O-kee-pa)
Subject
false
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Subject:
|
Staffs (Sticks, canes, etc.)
subject
Staffs (Sticks, canes, etc.)
Subject
false
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Related Work:
|
Catlin, George, 1796-1872. The Manners, Customs, and Condition of the North American Indians. London: Published by the Author, at the Egyptian Hall, Piccadilly, 1841. [1892]
related_work
Catlin, George, 1796-1872. The Manners, Customs, and Condition of the North American Indians. London: Published by the Author, at the Egyptian Hall, Piccadilly, 1841. [1892]
Related Work
false
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Relation Type:
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larger entity
relation_type
larger entity
Relation Type
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Description:
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Described in Vol. I, pp. 164-166. Caption from Truettner catalog of Catlin's Indian Gallery. Entry from Catlin's 1848 catalog reads, "This picture, which is a continuation of the ceremonies, is a representation of the Buffalo Dance, which they call Bel-lohck-nah-pick (The Bull Dance). To the strictest observance of which they attribute the coming of Buffalo to supply them with food during the season. This scene is exceedingly grotesque, and takes place several times in each day outside the lodge, and around the curb, or 'Big Canoe,' whilst the young men still remain in the lodge, as seen in the other picture. For this dance, however, the four sacks of water are brought out and beat upon, and the old medicine-man comes out and leans against the 'Big Canoe' with his medicine-pipe in his hand, and cries. The principal actors in this scene are eight men dancing the Buffalo Dance, with the skins of buffalo on them, and a bunch of green willows on their backs. There are many other figures, whose offices are very curious and interesting, but which must be left for my Lectures or Notes to describe. The black figure on the left they call O-kee-hee-de (the Evil Spirit), who enters the village from the prairie, alarming the women, who cry for assistance, and are relieved by the old medicine-man; and the Evil Spirit is at length disarmed of his lance, which is broken by the women, and he is driven by them in disgrace out of the village. The whole nation are present on this occasion as spectators and actors in these strange scenes." Originally painted in 1832 (Truettner, 1979, p. 290). See also plate 4 in O-Kee-Pa.
description
Described in Vol. I, pp. 164-166. Caption from Truettner catalog of Catlin's Indian Gallery. Entry from Catlin's 1848 catalog reads, "This picture, which is a continuation of the ceremonies, is a representation of the Buffalo Dance, which they call Bel-lohck-nah-pick (The Bull Dance). To the strictest observance of which they attribute the coming of Buffalo to supply them with food during the season. This scene is exceedingly grotesque, and takes place several times in each day outside the lodge, and around the curb, or 'Big Canoe,' whilst the young men still remain in the lodge, as seen in the other picture. For this dance, however, the four sacks of water are brought out and beat upon, and the old medicine-man comes out and leans against the 'Big Canoe' with his medicine-pipe in his hand, and cries. The principal actors in this scene are eight men dancing the Buffalo Dance, with the skins of buffalo on them, and a bunch of green willows on their backs. There are many other figures, whose offices are very curious and interesting, but which must be left for my Lectures or Notes to describe. The black figure on the left they call O-kee-hee-de (the Evil Spirit), who enters the village from the prairie, alarming the women, who cry for assistance, and are relieved by the old medicine-man; and the Evil Spirit is at length disarmed of his lance, which is broken by the women, and he is driven by them in disgrace out of the village. The whole nation are present on this occasion as spectators and actors in these strange scenes." Originally painted in 1832 (Truettner, 1979, p. 290). See also plate 4 in O-Kee-Pa.
Description
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Reproduction Rights Statement:
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(c)University of Cincinnati Digital Press 1997
reproduction_rights_statement
(c)University of Cincinnati Digital Press 1997
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