Work Record ID:
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74
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Reproduction Record ID:
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74
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Work Class:
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portraits
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Work Type:
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print
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Title:
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History of the Indian Tribes of North America
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Title Type:
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collective title
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Title:
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Mar-ko-me-te, a Menomene brave
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Title Type:
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inscribed title
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Measurements:
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12.90 x 8.10 in (32.77 x 20.57 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm)
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Measurement Type:
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dimensions
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Material:
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rag paper
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Material Type:
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support
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Technique:
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color lithograph
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Inscription:
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lower center: MAR-KO-ME-TE, / A MENOMENE BRAVE. / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a
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Creator:
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King, Charles Bird, 1785-1862
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Creator Dates:
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1785-1862
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Creator Nationality:
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American
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Creator Type:
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personal name
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Creator Role:
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painter
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Creator:
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Inman, Henry, 1801-1846
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Creator Dates:
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1801-1846
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Creator Nationality:
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American
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Creator Type:
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personal name
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Creator Role:
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painter
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Creator:
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Lewis, James Otto, 1799-1858
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Creator Dates:
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1799-1858
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Creator Nationality:
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American
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Creator Type:
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personal name
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Creator Role:
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painter
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Date:
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1838
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Location:
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Prairie du Chien (Wis.)
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Location Type:
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creation site
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Location:
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Butte des Morts (Wis.)
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Location Type:
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creation site
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Location:
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Green Bay (Wis.)
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Location Type:
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creation site
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Repository:
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Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio
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Repository Type:
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current repository
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ID Number:
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ARB E77 .M13 Vol. 2
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ID Number Type:
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call number
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ID Number:
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74
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ID Number Type:
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plate number
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ID Number:
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74
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ID Number Type:
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standard number
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Style Period:
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Art, American--19th century
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Style Period:
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realism
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Culture:
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American
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Subject:
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Feathers
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Subject:
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Necklaces
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Subject:
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Ribbons
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Subject:
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Turban headdresses
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Subject:
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Indians of North America--19th century
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Subject:
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Indians in art
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Subject:
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Blankets
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Subject:
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Prairie du Chien, Treaty of (1825)
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Subject:
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Handkerchiefs
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Subject:
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Knives
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Subject:
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Sheaths
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Subject:
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Quillwork
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Subject:
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Neckwear
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Subject:
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Butte des Morts, Treaty of (1827)
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Subject:
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Eagles
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Subject:
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Bear's Oil (Ma-ko-me-ta)
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Subject:
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Menominee
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Related Work:
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McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844.
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Relation Type:
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larger entity
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Description:
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ART WORKS Original painted by James Otto Lewis (1799-1858) at the Treaty of Butte des Morts, held at Butte des Morts (Wis.) in 1827. Plate 2 in The Aboriginal Port-Folio (1835-1838) indicates that the portrait was "Sketch'd at the Treaty at Green Bay __ 1827". Butte des Morts is located near Green Bay. Bear's Oil is not listed as a signatory of the Treaty of Butte des Morts. Ma-can-me-ta, Medicine Bear, is listed as a signatory of the Treaty of Prairie du Chien, held at Pairie du Chien (Wis.) in 1825 (Kappler, 1904, Vol. 2, p. 254). The portrait is not listed in the catalog of the Lewis Indian Gallery. Location of original unknown. Horan (Horan, 1986, pp. 352) suggests that Charles Bird King (1785-1862) painted this individual when he was a member of a Menominee delegation to Washington, D.C. 1830-1831. This copy is listed as No. 96 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rees's 1859 Guide to the Smithsonian Institution: "MAR-KO-ME-TA, Bear's Oil" (Viola, 1976, p. 144). This copy was destroyed in the Smithsonian fire of 1865. A copy of the King painting by Henry Inman (1801-1846) is in the Peabody Museum of Archeology and Ethnology, Harvard University (Peabody No. 82-51-10\28220).
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Description:
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PRINTS Lithographs based on the Lewis painting appear in all five editions of The Aboriginal Port-Folio. (Reese: 2) Lithographs based on the Inman copy of the King painting appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. The lithographic portraits in The Aboriginal Port-Folio and The History of the Indian Tribes of North America are similar, suggesting that King copied the Lewis portrait.
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Description:
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REFERENCES Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 352-353. Kappler, Charles J. Indian Affairs: Laws and Treaties. Washington, D.C.: Government Printing Office, 1904. Vol. 2, p. 254. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. p. 144.
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Information Source:
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Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: No indication.
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Reproduction Rights Statement:
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(c) University of Cincinnati Digital Press, 2001
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