COLLECTION NAME:
McKenney and Hall: History of the Indian Tribes mediaCollectionId univcincin~24~24 McKenney and Hall: History of the Indian Tribes Collection true
Record
Work Record ID:
7 work_record_id 7 Work Record ID false
Reproduction Record ID:
7 reproduction_record_id 7 Reproduction Record ID false
Work Class:
portraits work_class portraits Work Class false
Work Type:
print work_type print Work Type false
Title:
History of the Indian Tribes of North America title History of the Indian Tribes of North America Title false
Title Type:
collective title title_type collective title Title Type false
Title:
Tens-kwau-ta-waw, the prophet title Tens-kwau-ta-waw, the prophet Title false
Title Type:
inscribed title title_type inscribed title Title Type false
Measurements:
13.85 x 8.65 in (35.18 x 21.97 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) measurements 13.85 x 8.65 in (35.18 x 21.97 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
rag paper material rag paper Material false
Material Type:
support material_type support Material Type false
Technique:
color lithograph technique color lithograph Technique false
Inscription:
lower center: TENS-KWAU-TA-WAW / THE PROPHET. / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithogrphic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a inscription lower center: TENS-KWAU-TA-WAW / THE PROPHET. / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithogrphic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the Year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a Inscription false
Inscription:
image lower right: A. H. inscription image lower right: A. H. Inscription false
Creator:
King, Charles Bird, 1785-1862 creator King, Charles Bird, 1785-1862 Creator false
Creator Dates:
1785-1862 creator_dates 1785-1862 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Inman, Henry, 1801-1846 creator Inman, Henry, 1801-1846 Creator false
Creator Dates:
1801-1846 creator_dates 1801-1846 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Lewis, James Otto, 1799-1858 creator Lewis, James Otto, 1799-1858 Creator false
Creator Dates:
1799-1858 creator_dates 1799-1858 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1838 date 1838 Date false
Location:
Detroit (Mich.) location Detroit (Mich.) Location false
Location Type:
creation site location_type creation site Location Type false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
ARB E77 .M13 Vol. 1 id_number ARB E77 .M13 Vol. 1 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
ID Number:
7 id_number 7 ID Number false
ID Number Type:
plate number id_number_type plate number ID Number Type false
ID Number:
7 id_number 7 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
Style Period:
Art, American--19th century style_period Art, American--19th century Style Period false
Style Period:
realism style_period realism Style Period false
Culture:
American culture American Culture false
Subject:
Armbands subject Armbands Subject false
Subject:
Coats subject Coats Subject false
Subject:
Earrings subject Earrings Subject false
Subject:
Face painting subject Face painting Subject false
Subject:
Hair ornaments subject Hair ornaments Subject false
Subject:
Sashes (Costume) subject Sashes (Costume) Subject false
Subject:
Trade silver subject Trade silver Subject false
Subject:
Turban headdresses subject Turban headdresses Subject false
Subject:
Indians of North America--19th century subject Indians of North America--19th century Subject false
Subject:
Indians in art subject Indians in art Subject false
Subject:
Shirts, Men's subject Shirts, Men's Subject false
Subject:
Shawnee subject Shawnee Subject false
Subject:
Nose rings subject Nose rings Subject false
Subject:
Vermilion subject Vermilion Subject false
Subject:
Open Door (Ten-squat-a-way), 1768-1837 subject Open Door (Ten-squat-a-way), 1768-1837 Subject false
Subject:
Fur subject Fur Subject false
Subject:
Gorgets subject Gorgets Subject false
Subject:
Mustache subject Mustache Subject false
Subject:
Scarves subject Scarves Subject false
Related Work:
McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. related_work McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. Related Work false
Relation Type:
larger entity relation_type larger entity Relation Type false
Description:
ART WORKS Plate in Aboriginal Port-Folio, 1835-1838, indicates the original was painted by James Otto Lewis (1799-1858) at Detroit (Mich.) in 1823. Lewis' 1850 catalog indicates the original was painted at Detroit in 1827 (Lewis, 1850, p. [7]). Location of original unknown. Smithsonian Institution Art Inventories. Painting Inventory. 81880554 is identified as a portrait of Tenskwatawa by James Otto Lewis at the Library of Congress. A portrait of Open Door is listed as No. 99 in the Catalogue of Indian Paintings Belonging to the Government collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "TEUS-QUA-TA-WA, Open Door" (Viola, 1976, p. 144). Cosentino identifies this painting (Cosentino: 455) as one by Charles Bird King (1785-1862). He suggests that it was a copy after James Otto Lewis and indicates that it was destroyed in the Smithsonian fire of 1865 (Cosentino, 1977, p. 183). Another copy of the Lewis original by King, dated 1829, (Cosentino: 456) is in the Thomas Gilcrease Institute of American History and Art (Cosentino, 1977, p. 183; Viola, 1976, pp. 58, 141). Smithsonian Institution Art Inventories. Painting Inventory. 61190050. is identified as a portrait of Terrskutanku by Charles Bird King at The Newberry Library, Chicago, Illinois. Horan (Horan, 1986, p. 156) indicates that King painted a portrait (not based on the Lewis original) of Open Door in Washington, D.C. which appears in editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America. A portrait of Open Door by Henry Inman (1801-1846) after Charles Bird King, formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28191), is in the National Portrait Gallery (NPG Accession No.: NPG.82.71). George Catlin (1796-1872) painted Open Door in 1830 (Truettner Gallery No. 279) (Truettner, 1979, pp. 131, 134, 221). description ART WORKS Plate in Aboriginal Port-Folio, 1835-1838, indicates the original was painted by James Otto Lewis (1799-1858) at Detroit (Mich.) in 1823. Lewis' 1850 catalog indicates the original was painted at Detroit in 1827 (Lewis, 1850, p. [7]). Location of original unknown. Smithsonian Institution Art Inventories. Painting Inventory. 81880554 is identified as a portrait of Tenskwatawa by James Otto Lewis at the Library of Congress. A portrait of Open Door is listed as No. 99 in the Catalogue of Indian Paintings Belonging to the Government collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "TEUS-QUA-TA-WA, Open Door" (Viola, 1976, p. 144). Cosentino identifies this painting (Cosentino: 455) as one by Charles Bird King (1785-1862). He suggests that it was a copy after James Otto Lewis and indicates that it was destroyed in the Smithsonian fire of 1865 (Cosentino, 1977, p. 183). Another copy of the Lewis original by King, dated 1829, (Cosentino: 456) is in the Thomas Gilcrease Institute of American History and Art (Cosentino, 1977, p. 183; Viola, 1976, pp. 58, 141). Smithsonian Institution Art Inventories. Painting Inventory. 61190050. is identified as a portrait of Terrskutanku by Charles Bird King at The Newberry Library, Chicago, Illinois. Horan (Horan, 1986, p. 156) indicates that King painted a portrait (not based on the Lewis original) of Open Door in Washington, D.C. which appears in editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America. A portrait of Open Door by Henry Inman (1801-1846) after Charles Bird King, formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28191), is in the National Portrait Gallery (NPG Accession No.: NPG.82.71). George Catlin (1796-1872) painted Open Door in 1830 (Truettner Gallery No. 279) (Truettner, 1979, pp. 131, 134, 221). Description false
Description:
PRINTS A lithograph based on the Lewis painting appears only in the Philadelphia, 1835-1838 edition of The Aboriginal Port-Folio. (Reese: 67) Lithographs based on the Inman copy of the King painting appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. The lithographs in The Aboriginal Port-Folio and McKenney & Hall show the same individual, wearing the same gorget and earrings, but otherwise dressed very differently. description PRINTS A lithograph based on the Lewis painting appears only in the Philadelphia, 1835-1838 edition of The Aboriginal Port-Folio. (Reese: 67) Lithographs based on the Inman copy of the King painting appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. The lithographs in The Aboriginal Port-Folio and McKenney & Hall show the same individual, wearing the same gorget and earrings, but otherwise dressed very differently. Description false
Description:
REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 183. Nos. 455-456. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 156-157. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 2, p. [7]. Smithsonian Institution Art Inventories. Painting Inventory. 61190050 - Newberry Library 81880554 - Library of Congress 83980356 - Destroyed 83980357 - Gilcrease Institute of American History & Art Truettner, William H. The Natural Man Observed: A Study of Catlin's Indian Gallery. Washington, D.C.: Smithsonian Institution Press, 1979. pp. 131, 134, 221. Truettner Gallery No. 279. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 58, 141, 144. description REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 183. Nos. 455-456. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 156-157. Lewis, James Otto, 1799-1858. Catalogue of the Indian Gallery, Painted by J.O. Lewis. New York: J.O. Lewis, 1850. No. 2, p. [7]. Smithsonian Institution Art Inventories. Painting Inventory. 61190050 - Newberry Library 81880554 - Library of Congress 83980356 - Destroyed 83980357 - Gilcrease Institute of American History & Art Truettner, William H. The Natural Man Observed: A Study of Catlin's Indian Gallery. Washington, D.C.: Smithsonian Institution Press, 1979. pp. 131, 134, 221. Truettner Gallery No. 279. Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 58, 141, 144. Description false
Information Source:
Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "A. H." image lower right. information_source Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: "A. H." image lower right. Information Source false
Reproduction Rights Statement:
(c) University of Cincinnati Digital Press, 2001 reproduction_rights_statement (c) University of Cincinnati Digital Press, 2001 Reproduction Rights Statement false

Tens-kwau-ta-waw, the prophet

EXPORT

MEDIA INFORMATION

Tens-kwau-ta-waw, the prophet