COLLECTION NAME:
McKenney and Hall: History of the Indian Tribes mediaCollectionId univcincin~24~24 McKenney and Hall: History of the Indian Tribes Collection true
Record
Work Record ID:
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Reproduction Record ID:
6 reproduction_record_id 6 Reproduction Record ID false
Work Class:
portraits work_class portraits Work Class false
Work Type:
print work_type print Work Type false
Title:
History of the Indian Tribes of North America title History of the Indian Tribes of North America Title false
Title Type:
collective title title_type collective title Title Type false
Title:
Push-ma-ta-ha, a Choctaw warrior title Push-ma-ta-ha, a Choctaw warrior Title false
Title Type:
inscribed title title_type inscribed title Title Type false
Measurements:
11.65 x 7.40 in (29.59 x 18.80 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) measurements 11.65 x 7.40 in (29.59 x 18.80 cm) on sheet 20.10 x 14.40 in (51.05 x 36.58 cm) Measurements false
Measurement Type:
dimensions measurement_type dimensions Measurement Type false
Material:
rag paper material rag paper Material false
Material Type:
support material_type support Material Type false
Technique:
color lithograph technique color lithograph Technique false
Inscription:
lower center: PUSH-MA-TA-HA / A CHOCTAW WARRIOR. / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a inscription lower center: PUSH-MA-TA-HA / A CHOCTAW WARRIOR. / PUBLISHED BY F. W. GREENOUGH, PHILAD.A / Drawn Printed & Coloured at I. T. Bowen's Lithographic Establishment N.o 94 Walnut St: / Entered according to act of Congress in the year 1838 by F. W. Greenough, in the Clerks Office of the District Court of the Eastern District of Penn.a Inscription false
Creator:
King, Charles Bird, 1785-1862 creator King, Charles Bird, 1785-1862 Creator false
Creator Dates:
1785-1862 creator_dates 1785-1862 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Creator:
Inman, Henry, 1801-1846 creator Inman, Henry, 1801-1846 Creator false
Creator Dates:
1801-1846 creator_dates 1801-1846 Creator Dates false
Creator Nationality:
American creator_nationality American Creator Nationality false
Creator Type:
personal name creator_type personal name Creator Type false
Creator Role:
painter creator_role painter Creator Role false
Date:
1838 date 1838 Date false
Location:
Washington (D.C.) location Washington (D.C.) Location false
Location Type:
creation site location_type creation site Location Type false
Repository:
Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio repository Archives and Rare Books Library, University Libraries, University of Cincinnati, Cincinnati, Ohio Repository false
Repository Type:
current repository repository_type current repository Repository Type false
ID Number:
ARB E77 .M13 Vol. 1 id_number ARB E77 .M13 Vol. 1 ID Number false
ID Number Type:
call number id_number_type call number ID Number Type false
ID Number:
6 id_number 6 ID Number false
ID Number Type:
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ID Number:
6 id_number 6 ID Number false
ID Number Type:
standard number id_number_type standard number ID Number Type false
Style Period:
Art, American--19th century style_period Art, American--19th century Style Period false
Style Period:
realism style_period realism Style Period false
Culture:
American culture American Culture false
Subject:
Coats subject Coats Subject false
Subject:
Indians of North America--19th century subject Indians of North America--19th century Subject false
Subject:
Indians in art subject Indians in art Subject false
Subject:
Neckties subject Neckties Subject false
Subject:
Shirts, Men's subject Shirts, Men's Subject false
Subject:
Ruffles subject Ruffles Subject false
Subject:
Push-ma-ta-ha, ca. 1764-5--1824 subject Push-ma-ta-ha, ca. 1764-5--1824 Subject false
Subject:
Choctaw subject Choctaw Subject false
Subject:
Buttons subject Buttons Subject false
Subject:
Epaulets subject Epaulets Subject false
Subject:
Military uniforms subject Military uniforms Subject false
Subject:
Vests subject Vests Subject false
Related Work:
McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. related_work McKenney, Thomas Loraine, 1785-1859 & Hall, James, 1793-1868. History of the Indian Tribes of North America. Philadelphia: Frederick W. Greenough, 1838-1844. Related Work false
Relation Type:
larger entity relation_type larger entity Relation Type false
Description:
ART WORKS Three portraits of Push-ma-ta-ha painted by Charles Bird King (1785-1862) in Washington (D.C.) in 1824 are identified by Cosentino. The first (Cosentino: 421) is listed as No. 22 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "GENERAL PUSH-MA-TA-HA -- Choctaw Chief" (Viola, 1976, p. 143). It was destroyed in the Smithsonian fire of 1865. The second (Cosentino: 422) is listed as No. 42 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "GENERAL PUSH-MA-TA-HA -- Choctaw Chief" (Viola, 1976, p. 144). It was destroyed in the Smithsonian fire of 1865. The third (Cosentino: 423), King's personal copy, was donated to the Redwood Library and Athenaeum, Newport, Rhode Island. It was sold in 1970 to the The Warner Collection, Gulf States Paper Corporation (Cosentino, 1977, p. 179; Viola, 1976, p. 140). A portrait of Push-ma-ta-ha by Henry Inman (1801-1846), based on the first or second King portraits (Cosentino: 421, 422), and formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28188) is in the D. Harold Byrd, Jr, Collection (Viola, 1983, Plate 28). Cosentino indicates that the Inman copy was based on the first King portrait (Cosentino: 421) (Cosentino, 1977, p. 179). Cosentino indicates that a portrait of Push-ma-ta-ha was also painted by Joseph Wood (Cosentino, 1977, p. 179). description ART WORKS Three portraits of Push-ma-ta-ha painted by Charles Bird King (1785-1862) in Washington (D.C.) in 1824 are identified by Cosentino. The first (Cosentino: 421) is listed as No. 22 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "GENERAL PUSH-MA-TA-HA -- Choctaw Chief" (Viola, 1976, p. 143). It was destroyed in the Smithsonian fire of 1865. The second (Cosentino: 422) is listed as No. 42 in the Catalogue of Indian Paintings Belonging to the Government Collection which appeared in William J. Rhees' 1859 Guide to the Smithsonian Institution: "GENERAL PUSH-MA-TA-HA -- Choctaw Chief" (Viola, 1976, p. 144). It was destroyed in the Smithsonian fire of 1865. The third (Cosentino: 423), King's personal copy, was donated to the Redwood Library and Athenaeum, Newport, Rhode Island. It was sold in 1970 to the The Warner Collection, Gulf States Paper Corporation (Cosentino, 1977, p. 179; Viola, 1976, p. 140). A portrait of Push-ma-ta-ha by Henry Inman (1801-1846), based on the first or second King portraits (Cosentino: 421, 422), and formerly in the Peabody Museum of Archaeology and Ethnology, Harvard University (Peabody Number: 82-51-10\28188) is in the D. Harold Byrd, Jr, Collection (Viola, 1983, Plate 28). Cosentino indicates that the Inman copy was based on the first King portrait (Cosentino: 421) (Cosentino, 1977, p. 179). Cosentino indicates that a portrait of Push-ma-ta-ha was also painted by Joseph Wood (Cosentino, 1977, p. 179). Description false
Description:
PRINTS Cosentino indicates that lithographs based on one of the first two King portraits (or the Inman copy) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. Philadelphia: D. Rice & Co., 187_. description PRINTS Cosentino indicates that lithographs based on one of the first two King portraits (or the Inman copy) appear in the following editions of McKenney, Thomas Loraine, 1785-1859, and Hall, James, 1793-1868. The History of the Indian Tribes of North America: Philadelphia: F. W. Greenough, 1838-1844. Philadelphia: J. T. Bowen, 1848-1850. Philadelphia: D. Rice & Co., 187_. Description false
Description:
REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 179. Nos. 421-423. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 332-334. Parke-Bernet Galleries, Inc. The Important Collection of Twenty-One Portraits of North American Indians, by Charles Bird King. Property of the Redwood Library and Athenaeum, Newport, Rhode Island. Sold by Order of the Board of Directors. New York: Parke-Bernet Galleries, Inc., 1970. pp. xiv, 16-17. Smithsonian Institution Art Inventories. Painting Inventory. 83400326 - Gulf States Paper Corporation 83980331 - Destroyed 83980332 - Destroyed Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 51, 53-55, 57, 112, 122, 140. Viola, Herman J. Indians of North America: Paintings by Henry Inman from the D. Harold Byrd, Jr. Collection. Cody, Wyoming: Buffalo Bill Historical Center, 1983. Plate 28. description REFERENCES Cosentino, Andrew J. The Paintings of Charles Bird King (1785-1862). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1977. p. 179. Nos. 421-423. Horan, James D. The McKenney-Hall Portrait Gallery of American Indians. New York: Bramhall House, 1986. pp. 332-334. Parke-Bernet Galleries, Inc. The Important Collection of Twenty-One Portraits of North American Indians, by Charles Bird King. Property of the Redwood Library and Athenaeum, Newport, Rhode Island. Sold by Order of the Board of Directors. New York: Parke-Bernet Galleries, Inc., 1970. pp. xiv, 16-17. Smithsonian Institution Art Inventories. Painting Inventory. 83400326 - Gulf States Paper Corporation 83980331 - Destroyed 83980332 - Destroyed Viola, Herman J. The Indian Legacy of Charles Bird King. Washington, D.C.: Smithsonian Institution Press, 1976. pp. 51, 53-55, 57, 112, 122, 140. Viola, Herman J. Indians of North America: Paintings by Henry Inman from the D. Harold Byrd, Jr. Collection. Cody, Wyoming: Buffalo Bill Historical Center, 1983. Plate 28. Description false
Information Source:
Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: No indication. information_source Date: Supplied from plate. Plate No.: Supplied from copy reproduced. Standard No.: Supplied from volume contents list. Printer: "I. T. Bowen's Lithographic Establishment" in plate caption. [J. T. Bowen] Delineator: No indication. Information Source false
Reproduction Rights Statement:
(c) University of Cincinnati Digital Press, 2001 reproduction_rights_statement (c) University of Cincinnati Digital Press, 2001 Reproduction Rights Statement false

Push-ma-ta-ha, a Choctaw warrior

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Push-ma-ta-ha, a Choctaw warrior